Writing
No biography available.
1961, post-war Taiwan. Ma Shuisheng, the eldest son of the Ma family, is forced to sell the family's ancestral land to purchase morphine for his ailing parents, providing them relief from pain. Eventually, Shuisheng faces a heart-wrenching decision between their last piece of farmland and his newborn child.
Liu Hui is a widower whose son lives in America. She insists on living alone in the house she shared with her late husband, a calligrapher, and is surrounded by fond memories. As she gradually joins community activities, she strikes up an acquaintance with the kind and shy building caretaker who faces a quandary over a stray cat. Small moments together reveal loneliness and companionship.
After a grueling night shift, Johney, a Filipino migrant worker, returns to find strangers clearing out her dorm—installing heavy machinery and claiming to “inspect the factory.” As tensions erupt, Johney fights to protect her home—and a secret she’s kept hidden inside.
Yue's brother was executed by the government. Determined to bring his body back home, Yue goes to Taipei alone and finds help in Chao Kung-tao, a discharged soldier. Two people with no relations become friends in need, embarking on a journey that could cost them their lives.
As they are going to visit their former teacher, Micky, who is seriously ill, three men who were buddies back in their high school years are reunited. Moreover, they go back to the old cram school, reminiscing about their rebellious youth. In the 1990s, that cram school was known for its strict rules and the trio, who loved making trouble, had given the director a big headache until Micky arrived as a new teacher. He not only tamed the boys but became a good friend to them. Micky often talked about romantic relationships and sexuality to the students and made documentaries to speak up for the gay community. It is because of him that the students got to understand the homosexual or even themselves.
