
Acting
Daniel Valenzuela is an Argentinian film and television actor and writer.

A small village lost in the mountains, paralyzed after the closing of a mine, receives the arrival of an outsider who offers a significant payment in exchange for a very special job: to kill the owner of the mine.

Deep in the lush river jungles of Argentina, Alvaro lives a solitary existence fishing and harvesting reeds. What sets him apart from the rest of his village is that he is gay. There are no other gay men in his world, his only means of expression is with the occasional outsider who passes through. Most of these men come via the river taxi El León, whose captain El Turu is a mean man with a homophobic streak and a secret. When illegal loggers appear in the jungle El Turu accuses Alvaro of aiding them, a dispute which leads both men towards confrontation.

Dina has not seen her three children for many years. They escaped their excessive control and live abroad. She can't get over her aerophobia to go visit them. She can't take it anymore without seeing them, and with his friends she sets up a mock of his funeral to force them to come and see her, but her plan will unleash madness. Who would think that this plan will work?

Mariana doesn’t like her name and starts calling herself Gloria. Her parents split up before she was one year old and today, like many separated couples, they are brought back together under the same roof only because they don’t have a decent job. Cristina, her mother, rents a part of the house to her ex-husband for a bit of extra money. “Francia” talks about those people who will never travel far from their home, where they take refuge, for good or bad, from all disgusting things in the outside world. Meanwhile, Mariana puts on her headphones when she hears her parents fighting. Those fights which now serve as a relief to the helpless.

Set in Argentina in 1965, the story follows the tumultuous relationship between two men who became lovers and ultimately ruthless bank robbers in a notoriously famous footnote in the annals of crime history. After a large-scale hold-up that turns bloody, the two men must flee. It is not long before the police are surrounding the building they are in and they must confront their demons to survive.

In the revolted 70's in Argentina, teenage Graciela is an artist and a poet. She and Julio, a charismatic student leader, are brought together by their ideals for social justice. Her poems reach young musician Flecha, who dreams of singing them for a roaring crowd. As the times grow harder and more dangerous, friends are persecuted, Graciela and Julio protect each other, but the dictatorship kidnaps them. Graciela's mother desperate search for her daughter brings her together with the Mothers of the Plaza de Mayo, who's relentless clamor for their missing children is only met with more terror and death from the bloody dictatorship. 35 years later, that mother publishes a book of Graciela's poems, and brings it to Flecha, now an accomplished musician. He turns them into songs that let her words live and fly.

An actor's journey playing an assassin on the set of a film that takes place in a Buenos Aires' butcher shop. Short novella from the anthology "Historias breves 7". The Almanac is part of the Argentine National Film Board's (INCAA) Short Film Project Competition and Filmmakers Support Program. This novella was shown as part of an almanac and had separate festival distribution and screenings.

The priest Mario Pantaleo discovers he has some power to diagnose and cure diseases through the laying on of hands. But the police and the church hierarchy will against him.

A thriller centered on a man who is accused of a crime he didn't commit.

Only a miracle can save the club San Telmo descending category. Everyone is waiting for the arrival of a Brazilian soccer player, a messiah of soccer that will guide them towards salvation in the match of the outcome. But when stepping on Buenos Aires, Santo will find a city full of dangers and must live an odyssey to get to the field, where he will face his fate.

