At a newsstand, two women file divorce papers so that one of them can start a new chapter in her life, free of fear and violence.

Marlena struggles with a serious marital crisis due to the alcohol addiction of her husband, Zbigniew. Via the Internet she meets Bruno, a Senegalese, who brings back Marlena’s self-confidence and sense of womanhood. However, it turns out that the man plans something rather different for her than building a relationship with her…

The film is a very subtly told story of the difficult love between father and son and an image of the relentless struggle for freedom.

At a newsstand, two women file divorce papers so that one of them can start a new chapter in her life, free of fear and violence.

Pole, who are you? This film collage that combines archival and contemporary materials, documentary and staged pictures, press reports, social announcements, sale offers and speech excerpts is an attempt to answer this question. Referring to the Polish tradition of a creative documentary in the style of Wojciech Wiszniewski, the film presents various manifestations of Polishness: patriotic and religious rituals, everyday traditions as well as characteristic landscapes or intimate memories from childhood.

At a newsstand, two women file divorce papers so that one of them can start a new chapter in her life, free of fear and violence.

Old age. It affects everyone and there is no cure for it. Stanislaw and Maria are elderly and are slowly losing their ability to live independently. Their daughter Ewa comes to their aid when she discovers her mother's embarrassing problem. Because of this, women go on the warpath. The film shows how important it is to call a spade a spade - especially in the bosom of the family. Facing difficult challenges together turns out to be - in itself - an important therapeutic tool and at the same time integrating family bonds.

At a newsstand, two women file divorce papers so that one of them can start a new chapter in her life, free of fear and violence.

The film is a very subtly told story of the difficult love between father and son and an image of the relentless struggle for freedom.

They come to buy newspapers and cigarettes, boast, complain, or talk. A mother with a teething baby, a woman worried about her cat’s disease, an old man devoted to the Catholic radio… How many people in the kiosk window with so many small and big human stories, funny and bitter ones, always authentic and not leaving a viewer indifferent.