She was her generation’s Madonna and Bob Dylan rolled into one—and yet, by the 1970s, major poetry anthologies no longer mentioned Edna St. Vincent Millay. She had become a lost poet, her literary status mirroring her untimely death. This program documents the brief yet bright “candle” of Millay’s artistic development, from her early years in Maine to her achievements in the literary world of New York, while exploring her celebrity, sexuality, and personal relationships. Among the many eye-opening locations featured in the film is the house in which Millay spent her final years; its contents have remained untouched since the poet’s death and provide a catalyst for the study of her troubled, exuberant life. Never-before-seen archival images and interviews with Millay scholars also enrich the narrative.

At the peak of her immense popularity in the 1920s, evangelist Aimee Semple McPherson was drawing larger crowds to her revivals than those of P.T. Barnum or Harry Houdini. This chapter of "American Experience" paints a vivid portrait of the controversial and charismatic religious figure. Credited with mainstreaming religion in American culture, Sister Aimee created one of the country's first Christian radio stations, among other accomplishments.