Osa de la Vega, Cuenca, Spain, 1913. Gregorio and León, employees on the estate of the village's mayor, a powerful landowner, are arrested and accused of the murder of José María el Cepa, a shepherd who mysteriously disappeared three years earlier.

While some people need to be surrounded by friends to be happy, Carmen (Mercedes Sampietro) is perfectly content by herself, pursuing her vocation as an art restorer. But her bubble of isolation is punctured when she becomes the survivor of a violent assault. Shaken by the incident, Carmen decides she needs a break from it all. So begins a soul-searching journey that takes Carmen back to her hometown in southern Spain, where she contemplates the joys and sorrows of her past.

Opening at the funeral mass for Mikel, we flashback to those that played a part in Mikel's life and death; his estranged wife, his traditional Basque mother, a female impersonator and friend to Mikel in his coming out, and even the local priest.

In a dressing room of the theater where she performs a play by Miguel Delibes, actress Lola Herrera has a long conversation with actor Daniel Dicenta, from whom she has been separated for several years.

One night, Don Luis, a noble and arrogant fifty care manners, bursts into the room of Antonia, one of her maids because as lord and master, all that lives with him are his possessions. Antonia hates him, but is also attracted to the refinement of a man who seeks only pleasure, and become complicit in a crime to bind him forever.

Inspired by the American gangster films, a group of thugs decides to dock the Bank of Spain. "El Rubio" explains to his men that, to commit the armed robbery, they will have to dig a gallery in the Cibeles. But, due to the threats of a rival band, "El Rubio" decides to disguise itself and pretend to be one of the most famous actors of the moment.

This film tries to place Jesus in the precise context defined by the Gnostic Gospels, a Galilee in continuous effervescence by the guerrilla-Zealot confrontation against Rome.

To get his hands on a valuable pod of whales, a 17th-century European daredevil in Newfoundland foolishly attempts to release the powers of the mythical North Wind, who was trapped in a pot thanks to a shared effort by Basque sailors and Mi'kmaq Indians. Now, the descendant of those Indian, Watuna, and the descendants of those Basque sailors, Ane and Peiot, must defeat the evil Athanasius before he achieve his purpose.

Shows the unfailing love of two women for the same man, one as his mistress, the other as his wife. The lives of these characters intertwine and are determined by the variegated fabric of delicate tradition and established vices shaky politics and intrigue of the society they live in. Based on the major novel (1877) by Benito Perez Galdos.