Several story threads about consciousness and perception intertwine in this film by video installation artist Daniel Cockburn.

Several story threads about consciousness and perception intertwine in this film by video installation artist Daniel Cockburn.

In an increasingly urban nation, Canada’s national parks are a treasured escape into extraordinary beauty and rugged wilderness. If the Group of Seven were an introduction to the landscape’s majesty, National Parks Project is the next logical chapter. Fifty-two contemporary artists from across the country, whose talents are as diverse as the parks they set out to explore, used their surroundings as a source of inspiration to blend musical and cinematic skills into collaboratively crafted vignettes. Epic in its ambition to celebrate these locales during Parks Canada’s centennial year, this omnibus film resonates with the knowledge that our unprotected land is more vulnerable than ever. Including films by Zacharius Kunuk, Peter Lynch, Sturla Gunnarsson and John Walker, and music by Sarah Harmer, Sam Roberts, Cadence Weapon and The Besnard Lakes, among many others, National Parks Project is a one-of-a-kind documentary experience.

One of several works commissioned for The Colin Campbell Sessions and inspired by the makings of video art pioneer Colin Campbell for the Tranz Tech festival. Cockburn's video draws formally on Campbell's style while at the same time metaphorically expressing the artist's anxiety in making the video itself.

One of several works commissioned for The Colin Campbell Sessions and inspired by the makings of video art pioneer Colin Campbell for the Tranz Tech festival. Cockburn's video draws formally on Campbell's style while at the same time metaphorically expressing the artist's anxiety in making the video itself.

One of several works commissioned for The Colin Campbell Sessions and inspired by the makings of video art pioneer Colin Campbell for the Tranz Tech festival. Cockburn's video draws formally on Campbell's style while at the same time metaphorically expressing the artist's anxiety in making the video itself.

To celebrate the BFI's Thriller season, filmmaker Daniel Cockburn explores the power of sound to terrify and unsettle. Using sounds from Hollywood's best-known thriller and horror films, Cockburn makes familiar noises frightening and leaves us wondering... What's that sound? And why won't it stop?

Over the course of a ten-year postal correspondence, a pair of movie-going pen-pals share their thoughts on some of 90s cinema’s key traits: the rise of video, the need for speed, and of course the cliff-edge sense of global dread. But do decades have ‘key traits’ at the time? Or do we assign them these characteristics retroactively, trying to make sense of things in hindsight? Only Leonard Nimoy knows for sure.

Doctor Virtuous can't sleep or stay awake and he's worried about radiation

Doctor Virtuous can't sleep or stay awake and he's worried about radiation