Thirty-eight-year-old Alice spends her days sleeping. Working nights at a rehabilitation center provides her with an excuse for her fatigue and emotional apathy. Yigal, Alice’s husband, feels lonely and tormented by her chilly attitude, while his anger gradually heightens. Eli, her nine-year-old-son, is desperate for her love. The rehabilitation center houses thirty young women who have suffered emotional crisis. Alice prefers as little communication as possible with the girls and performs only the basic demands of her job: handing out medication, supervising meals, and overseeing shower time. After the lights go out, Alice meets with Yoel, her lover. On the narrow single bed, a passion for another kind of life, or for what might have been, is aroused.

A delicate, poetic cinematic work, consisting of two parallel axes. Lenny Sadeh is a Tel Aviv based scholar who passes through the last day of her life. Yasmin Nasser, an Arab nurse who lives in Jaffa, is interrogated by the police. The worlds of these two women meet for a critical moment and bound together inseparably.

Love Letters to Cinema is a collection of ten "letters” in the form of short films (4 minutes each), written and directed by ten outstanding Israeli directors. The films and the directors conduct a dialogue, whereas the directors create a short film with their unique voice, bringing to the audience a group of work that reflects on cinema.

Debbie Lasri celebrates her 51st birthday in the psych ward. Riva, her partner, arrives at the ward with Michal, her video-therapy student, hired to make a personal video with Debbie. Michal is drawn into Debbie's world but her story is full of gaps. As curiosity and over-motivation become an obsession, Michal crosses the lines looking for answers. Following Debbie's trail of crumbs, she locates all the sub-characters of the story. The pieces of information revealed to her camera suggest that there is more here than meets the eye.