From time to time, we have produced an admirable film about the virtues of the domestic army, which raised the right men in ideal conditions - in this case, we meet the enthusiastic drill sergeants in green, who selflessly rehearse a demanding Spartakiad composition... So, two aspects important to the regime have merged into one. But even this did not change the incredulous, spasmodically optimistic yawn that perhaps even those who had set all this up could not believe. The film uses documentary footage of the soldiers' Spartakiada performance in 1980.

A love story which unfolds over three days and nights on the outskirts of the metropolis. Seventeen-year-old Ema (Dorota Nvotová) breaks up with 'dude' Viktor (Lukás Latinák), has a fling with future pilot Karel (Mário Kubas), and meets a real man (Ondrej Vetchý), a taxi driver without a taxi. In the tangle of relationships, the characters sometimes have an opportunity to share their feelings, but sometimes they simply pass each other by. The story is told through Ema's eyes as she observes the world around her while searching for love, fun, and joy. But she's not the only one looking for happiness, nor the only one who finds it hard to avoid hurting others in the process. Ema's abandoned mother (Jana Hubinská) looks for another chance for love, while Karel's parents try to put long-lost meaning back into their marriage.

The unlucky cultural officer of a spa facility gets involved in compromising situations against his will - and he was originally only after a recommendation to study at an art school.

The main character, a forty-year-old doctor, tries to cope with situations that life throws at her as a successful dentist, but a less successful mother, lover, and ex-wife. The heroine's relationship with her daughter, lover, mother, and ex-husband is portrayed very convincingly and without the slightest idealization, reflecting the ambiguity and controversy of the contemporary female condition. Although the author accumulates in his novel and television script almost all the paradoxes of today's self-employed woman in the heroine, nevertheless (or precisely because of this) her story reflects the experience of most contemporary women. Especially those who place high demands on themselves and others, which, however, can rarely be met one hundred percent. And if it turns out that we owe the greatest debt to our own daughter, then it is no surprise that everything starts to change completely...

Even great love does not necessarily overcome a difference of morals - although the young hero is very much in love, he still rejects the comfortable and easy existence he could lead thanks to the family of his future father-in-law. A tediously moralistic comedy, it picks up with all seriousness the morality of a socialist man who has broken forever with petty bourgeois ideas. It is therefore too contrived, nor does it succeed in elevating the tawdry story in any way. A comedy about life's little and big compromises.