Zilnik's 102 minutes long TV series is about a couple of guys, one good and naive, the other liar and manipulator, trying to make a living the best they can...Along the way they meet a guy who eats glass, metal and plates, then a couple of strippers, and a lot of ordinary people. Zilnik's dry realistic approach is filled with humour and documentary parts with some real peasants and working-class people.

The pensioner Tone makes no secret of the fact that he monitors every step, movement and noise of the residents in the block in which he lives.

Inspired by a real event, the film follows 27-year-old Lara (newcomer Diana Kolenc), a paramedic intern who helps bring 30-year-old Kristijan (Vito Weiss) into the hospital, after he was brutally beaten on a Facebook live stream that was seen by 20,000 people and no one called the police. Although Kristijan is in a coma, Lara starts to receive video clips from his Facebook profile, showing unidentified persons watching him get beaten. She reports this to detective Borut (Jure Henigman, from A Trip and Dual), who starts an investigation. All the observers, who appear in the video clips, will become Lara’s nightmare in her real life. She soon realizes that she is also an accomplice in this horrible event.

After a night of carousing, the amateur photo model Zina heads for a fashion shoot in the nature, accompanied by the ambitious Mia, apathetic Dragica and snobby photographer Blitcz. On the idyllic location, a supposedly ordinary fashion shoot soon turns into a fierce fight for survival.

Caught amid a violent corruption affair, a young woman is forced to make an impossible choice between the man she obsessively loves and her newborn son.

When Peter comes back from the war, he finds his father changed and alone. Their former maid, Leni, has also left and soon Peter's grandfather also dies. His father begins writing his memoirs of his Partisan years. Peter blames his father for his mother's death, but the final blow comes when he catches his father together with his (Peter's) former girlfriend. He moves in with his brother and accuses Leni of having had an affair with his father. Peter decides to kill his father but cannot carry out the plan. His father tells him in a fit of rage that he isn't his son at all. Feeling desperate and down, he goes to Leni's place for comfort, and finds her dead on the floor. The police arrest Peter for the murder of Leni. Will Peter have to serve a jail sentence on his road to maturity and will political connections have a bearing on the final verdict of the trial? Peter doesn't even know whom he can trust anymore.

Fran is a newcomer art teacher at a primary school who struggles communicating with his students' parents while also actively avoiding communicating with his girlfriend Medina.

A story of fragility, sexuality, monstrosities and geographical confusions. Everything, everywhere is the slogan of the nineties, a confusion of bodies, concepts and strategies, a kind of out of joint situation for the subject. And we find ourselves in all the media, in all the bodies in all the possible spaces at ones, but this deadly dance is not innocent. The video consists of the main part in which wives of the so-called totalitarian leaders as of the Rumanian dictator Cauceuscu (Elena) and of the former Serbian leader Slobodan Milosevic (Mirjana Milosevic) are forced to dance. Focused on the portrait of Mirjana Milosevic (The story of Mirjana M.) a kitsch melodramatic Balkan saga of power, drama, pop-folk elements and evil/demons is constructed. The apathy of feelings is caught in the dramatic tango that is slowed down for the camera eye.

Half-sisters from a small coastal town who were never that close are forced by circumstance to share a flat in Ljubljana.

An adolescent boy embarks on a final journey through the imprints of his memories, seeking the delicate beauty he fears will soon vanish. Fourteen-year-old Luno battles his impending blindness, confronting his fears as he laces up his freedom shoes for one final adventure.