The year is 37 BC. A young Liburnian Volsus is taken by a Roman unit to help in what at first seems a simple task of collecting taxes, but the encounters with local Illyrian tribes soon lead to unexpected turns of events, as they show more resilience to subjugation than meets the eye. We see their archaic, emotional world of quaint and brutal laws and traditions through the eyes of this youngster, regarded by the Romans as a primitive barbarian, and gradually come to understand that their world is not all that different from our own.

A traumatic event – a sudden suicide attempt – opens a gap in the everyday life of a family of three. Their lives change fundamentally, as if they've been pulled into a war invisible to everyone else. The plot is limited to the most acute, a short period of time and a situation that boils down to the most important thing – to save a loved one. The film was based on the personal experience of the director, who also plays the leading role.

After finding out by chance that his ex-girlfriend Mina’s mother died, Simon decides to steal her body to provoke cathartic processes in Mina. Mina hasn’t been in contact with her mother for years because of some dark family secrets. Simon plans to keep the body hidden for a few days and then revive it. He possesses the powers needed to do this. However, the body is stolen from Simon and he has great difficulty retrieving it. Unaware of Simon’s problems, Mina confronts her past and the emotional baggage she’s been carrying for years.

Two strangers: a man and a woman meet in an elevator. When the elevator gets stuck, irreconcilable differences between two protagonists resurface. What follows is a surreal interplay of passion and dreams and a confrontation that evolves into a ruthless fight for survival.

A young man flees to the United States searching for the American dream.