
Crew
Damien Jalet (born August 17, 1976) is a Belgo-French freelance choreographer, dancer and performer working internationally. His work is often collaborative, creating intricate bounds between dance and other artistic media such as visual art, fashion, theater and music.

In between performance, dance and cerémonies, "The Ferryman” is a choreographic exploration of rituals and animistic roots, a luxurious visualisation of a bewitchment and an exorcism of a man-deer in the borders of the world.

Go behind the scenes of this Oscar-nominated, genre-defying film with director Jacques Audiard and stars Karla Sofía Gascón, Zoe Saldaña and Selena Gomez.

In between performance, dance and cerémonies, "The Ferryman” is a choreographic exploration of rituals and animistic roots, a luxurious visualisation of a bewitchment and an exorcism of a man-deer in the borders of the world.

In between performance, dance and cerémonies, "The Ferryman” is a choreographic exploration of rituals and animistic roots, a luxurious visualisation of a bewitchment and an exorcism of a man-deer in the borders of the world.

Desperately seeking inspiration for the follow-up novel to his bestseller "Inexorable", Marcel Bellmer moves in his wife's old family mansion with his family.

Mist is a multidisciplinary dance film created by the Franco-Belgian choreographer Damien Jalet (1976) and filmed by Rahi Rezvani, inspired by the phenomenon of fog banks that are often associated with the Netherlands. The presence of wind and sea and the fact that a third of the Netherlands is below sea level served as some of the main sources of inspiration for the Jalet. Mist is part of a three project collaboration between Jalet and Japanese visual artist Kohei Nawa, following their critically acclaimed pieces VESSEL and PLANET [wanderer]. The work explores the ephemeral space between reality and mirage, and a physicality that recalls the dynamics of evaporating, condensing and falling water. For this creation, Jalet is also collaborating with choreographer Aimilios Arapoglou, composer Fennesz, lighting designer Urs Schonebaum, costume designer Sruli Recht and photographer and videographer Rahi Rezvani.

Mist is a multidisciplinary dance film created by the Franco-Belgian choreographer Damien Jalet (1976) and filmed by Rahi Rezvani, inspired by the phenomenon of fog banks that are often associated with the Netherlands. The presence of wind and sea and the fact that a third of the Netherlands is below sea level served as some of the main sources of inspiration for the Jalet. Mist is part of a three project collaboration between Jalet and Japanese visual artist Kohei Nawa, following their critically acclaimed pieces VESSEL and PLANET [wanderer]. The work explores the ephemeral space between reality and mirage, and a physicality that recalls the dynamics of evaporating, condensing and falling water. For this creation, Jalet is also collaborating with choreographer Aimilios Arapoglou, composer Fennesz, lighting designer Urs Schonebaum, costume designer Sruli Recht and photographer and videographer Rahi Rezvani.

Rita, an underrated lawyer working for a large law firm more interested in getting criminals out of jail than bringing them to justice, is hired by the leader of a criminal organization.

A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.

A creation for 17 dancers performed on a 34 degrees oblique-built platform. In "Skid", human beings relationship to the law of gravity, to the poetry of resistance and abandonment from gravity itself, sets the dancers in motion.

A creation for 17 dancers performed on a 34 degrees oblique-built platform. In "Skid", human beings relationship to the law of gravity, to the poetry of resistance and abandonment from gravity itself, sets the dancers in motion.

Wave-Breaker' is a choreography created by master of visual dancing Damien Jalet inspired by the movement of the waves, seen here as a metaphor of what passes through us, overwhelms us and eventually saves us.
