Akira was raised in an assassin family. Everything seemed fine until he met a girl he once saw killed 10 years ago.

Yamane Mito lives her life as the charismatic influencer "MITOYAMANE", supported by her younger sister Miho. One day, she is approached by her agency about collaborating on an app. The app becomes very popular and Mito's face is spread around the world...

17th entry in the Japanese horror found footage franchise, "Not Found".

Newly commissioned short film, starring Tomona Hirota and Sumire Ashina.

Newly commissioned short film, starring Tomona Hirota and Sumire Ashina.

Newly commissioned short film, starring Tomona Hirota and Sumire Ashina.

The film consists of five films about Yamato in the post-COVID period. Tominaga's "The Fourth Eye" depicts a bewildered father who is introduced to his stepfather by his estranged daughter; Kiyohara's "The Light of March" tells the story of a woman who becomes pregnant at a young age and tries to flee the town. Takeuchi's "Makie no Bouken" (Makie's Adventure), Yamamoto's "Ano Hi, Kono Hi, Sono Hi" (Ano Hi, Kono Hi, Sono Hi), about a city employee who goes around taking video letters for people who are retiring, and Miyazaki's "Eri-chan to Kumi-chan no Long, Mundane Day" (Eri-chan to Kumi-chan no Long, Mundane Day), about two people who have too much time on their hands to bury a time capsule in a forest on the outskirts of town.

An overly curious journalist sits face to face with a resident of the mysterious district of North Shinjuku. One is trying to understand the codes and unspoken truths of a closed community; the other gradually reveals his world. Daisuke Miyazaki delivers an unorthodox, futuristic sci-fi full of recursive effects and false appearances. Shot in lustrous black and white, featuring a series of still images, this impossible dialogue is like a response from the future to Chris Marker’s La Jetée. Harrowing yet leavened by humour, the story includes street kids, ancestral pariahs and, as you’d expect, yakuzas.

An overly curious journalist sits face to face with a resident of the mysterious district of North Shinjuku. One is trying to understand the codes and unspoken truths of a closed community; the other gradually reveals his world. Daisuke Miyazaki delivers an unorthodox, futuristic sci-fi full of recursive effects and false appearances. Shot in lustrous black and white, featuring a series of still images, this impossible dialogue is like a response from the future to Chris Marker’s La Jetée. Harrowing yet leavened by humour, the story includes street kids, ancestral pariahs and, as you’d expect, yakuzas.

19th entry in the Japanese horror found footage franchise, "Not Found".