In 18th-century Sicily, deaf-mute highborn Marianna Ucrìa is forced to marry at age 13, bearing three children before even turning 16, when she finally gives birth to a boy. Despite everything, she'll find a way to emancipate herself from the oppressive social conventions of the time.

Piera is a young woman who grows up under the parentage of two extremely original overseers: both her mother and father have incestuous relations with her before they are committed to insane asylums. A special connection, between a mother and her daughter, full of sensuality and complicity, has allowed to portray a family full of fears, rather unbalanced, but nevertheless searching infinite love.

A mute mother stands by idly as her young children radicalise as a result of a society that thrives on conflict and manipulation. As she is drawn to a group of political activists, her absence allows her children to become increasingly extreme in their behaviour and lethal games they play.

Three sisters, played by Fanny Ardant, Greta Scacchi and Valeria Golino, struggle with their illusions, goals and desires in Margarethe von Trotta’s film adaptation of Anton Chekhov’s play.

Teresa gets her first taste of crime -- and its consequences -- when, during World War II, she is nabbed for robbing an apartment. But being poor and perpetually starving, the pretty petty thief doesn't give up her quest for ill-gotten gains and soon turns to pick-pocketing. Despite her questionable thieving skills, the bumbling crook tries scheme after scheme, pilfering from strangers and dodging the law as she searches for a way to fund an adequate meal.

Marta works as a telephone operator for a telephone company. She lives with her friend Nanda in Nanda's flat. But Nanda's priority is above anything else to find a husband.

Drama about the fading relationship between a professor and his wife. Based upon a short story by Alberto Moravia.

The final part of Pasolini's Trilogy of Life series is rich with exotic tales of slaves and kings, potions, betrayals, demons and, most of all, love and lovemaking in all its myriad forms. Mysterious and liberating, this is an exquisitely dreamlike and adult interpretation of the original folk tales.

Vannina and Giacinto are a young married couple who live their relationship in an unequal way; while the girl is submissive to the will of her husband Giacinto, he sees in his bride only the personal object of his sexual satisfaction.

Italian drama.