A collection of seemingly unrelated everyday moments is united by a message – a commentary on contemporary reality: when looking at the world through a camera lens, it is easy to overlook what is important.

In order to preserve Latvian traditions in Australia, it is necessary to want to live with them on a daily basis. This film preserves the memory of the rich traditions of the Australian Latvian Arts Festival and delves into the complexities of what it means to be an Australian Latvian.

In order to preserve Latvian traditions in Australia, it is necessary to want to live with them on a daily basis. This film preserves the memory of the rich traditions of the Australian Latvian Arts Festival and delves into the complexities of what it means to be an Australian Latvian.

Markuss must adapt to a new life living with his granny in the countryside. After Emīlija – a neighbor’s daughter – throws some contemptuous remarks about the boy’s father, the boy decides to teach her a cruel lesson. This has severely negative consequences which resonate throughout the village. The only person Markuss can relate to is an old sailor living in the nearby woods. They inspire each other and keep each other’s secrets. It is only through an accidental turn of events that Emīlija’s mother’s intended sanctions against Markuss and the boy’s reputation in the eyes of the inhabitants of the village radically change.

Markuss must adapt to a new life living with his granny in the countryside. After Emīlija – a neighbor’s daughter – throws some contemptuous remarks about the boy’s father, the boy decides to teach her a cruel lesson. This has severely negative consequences which resonate throughout the village. The only person Markuss can relate to is an old sailor living in the nearby woods. They inspire each other and keep each other’s secrets. It is only through an accidental turn of events that Emīlija’s mother’s intended sanctions against Markuss and the boy’s reputation in the eyes of the inhabitants of the village radically change.

Helen suspects that her beloved son has a girlfriend what he is trying to hide. She is terrified of the possibility that her son could leave her for his girlfriend. Dainis invites her to a party in the hope that they both will be able to become friends, but due to missunderstanding a disaster strikes.

Helen suspects that her beloved son has a girlfriend what he is trying to hide. She is terrified of the possibility that her son could leave her for his girlfriend. Dainis invites her to a party in the hope that they both will be able to become friends, but due to missunderstanding a disaster strikes.

Annia (28) lives in Riga and always is in a process and finding her own way, expressing herself in multiple roles. She works as a show manager at The New Riga Theatre, but later she needs to find out how to be unemployed. She teaches tap dance in her own studio, and a great part of her life is to be Dr. Clown in Children's clinical hospital.

Annia (28) lives in Riga and always is in a process and finding her own way, expressing herself in multiple roles. She works as a show manager at The New Riga Theatre, but later she needs to find out how to be unemployed. She teaches tap dance in her own studio, and a great part of her life is to be Dr. Clown in Children's clinical hospital.