
Directing
Cyril Collard (19 December 1957, Paris − 5 March 1993, Versailles) was a French author, filmmaker, composer, musician and actor. He is known for his unapologetic portrayals of bisexuality and HIV in art, particularly his autobiographical novel and film Les Nuits fauves (Savage Nights). Openly bisexual, Collard was also one of the first French artists to speak openly about his HIV-positive status. Collard was born into a liberal, middle-class family in France. He attended Lycée Hoche in Versailles, and pursued an engineering degree at Institut Industriel du Nord in Villeneuve d'Ascq, later known as École centrale de Lille before deciding to drop out. The semi-autobiographical Savage Nights (Les Nuits fauves), finished in 1992, was Collard's first and only feature film. It won four Césars (best editing, best film, best first work, and most promising actress) in 1993. Unfortunately, Collard did not live to accept his award; he had died three days earlier. Early in his career, Collard assisted fellow director Maurice Pialat and directed six music videos, as well as several television programs. Among the music videos he directed were those of French-Algerian band Carte de Séjour, whose lead singer Rachid Taha was one of the most famous rock-ethnic musicians in France. Collard's own experiences with AIDS undoubtedly influenced his work. He died of AIDS-related illness aged 35. Source: Article "Cyril Collard" from Wikipedia in English, licensed under CC-BY-SA.

Jean is young, gay, and promiscuous. Only after he meets one or two women, including Laura, does he come to realize his bisexuality. Jean has to overcome a personal crisis and a tough choice between Laura and his male lover Samy.

It's a tale of two shocks. 1992, Les Nuits fauves hits theaters. 1993, Cyril Collard dies of AIDS. The artist and his film caused a scandal in 90s France, which suddenly realized the violence of the epidemic and the upheaval it would bring for its children... Collard's work still resonates today, through its depiction of the rage of life and sexual freedom, and the courage it takes to face up to the inevitability of the virus. This documentary is supported by powerful archive footage, allowing us to rediscover the destiny of a striking artist. It is also based on the testimonies of those who knew him and agreed to talk about who he was, the driving forces behind his rebellion and his way of creating. The film is also punctuated by readings from some of the thousands of letters sent to Cyril Collard, revealing what it was about his work that struck a chord with viewers, especially younger ones.

Fifteen-year-old Suzanne seeks refuge from a disintegrating family in a series of impulsive, promiscuous affairs. Her fulsome sexuality further ratchets up the suppressed passions of her narcissistic brother, insecure mother and brooding, authoritarian father.

Jean is young, gay, and promiscuous. Only after he meets one or two women, including Laura, does he come to realize his bisexuality. Jean has to overcome a personal crisis and a tough choice between Laura and his male lover Samy.

Jean is young, gay, and promiscuous. Only after he meets one or two women, including Laura, does he come to realize his bisexuality. Jean has to overcome a personal crisis and a tough choice between Laura and his male lover Samy.

Based on a painting by Gustave Caillebotte.

Farid, a teenager of Algerian descent, spends his free time hanging out with the wrong crowds in the suburbs south of Paris while maintaining a secret relationship with illustrator Jean. Both Jean and Farid are unsure about the future of their relationship - Farid wants Jean to move to Algiers with him, but Jean doesn't want to continue being Farid's secret. But when Farid becomes embroiled in a police matter, both his passionate private life and conservative family life hurtle towards one another, with explosive results.

Farid, a teenager of Algerian descent, spends his free time hanging out with the wrong crowds in the suburbs south of Paris while maintaining a secret relationship with illustrator Jean. Both Jean and Farid are unsure about the future of their relationship - Farid wants Jean to move to Algiers with him, but Jean doesn't want to continue being Farid's secret. But when Farid becomes embroiled in a police matter, both his passionate private life and conservative family life hurtle towards one another, with explosive results.

Embark on a journey through celluloid from 1985 to present day in these freshly digitized cinematic pearls from around the world that explore an array of gay encounters from years gone by. The 7 short films are: Just Out of Reach (1998); Toto Forever (2010); Men Don't Cry [Οι άντρες δεν κλαίνε] (2001); Alger la blanche (1986); Unconfessions [Inconfissões] (2018); Same Difference (2002); Boychick (2001).

Raï is about a gang of youths in a Parisian suburb.This is the multicultural environment in which Mezz, Aziz, Laurent, Nordine, Poisson and the others have grown up. There is no future in Garges-les-Gonesses. Unemployment is high, drugs and violence are a part of everyday life. The opportunity to escape seems nonexistent.

Farid, a teenager of Algerian descent, spends his free time hanging out with the wrong crowds in the suburbs south of Paris while maintaining a secret relationship with illustrator Jean. Both Jean and Farid are unsure about the future of their relationship - Farid wants Jean to move to Algiers with him, but Jean doesn't want to continue being Farid's secret. But when Farid becomes embroiled in a police matter, both his passionate private life and conservative family life hurtle towards one another, with explosive results.

A bored wife leaves her husband for an unemployed, petty criminal.
An Arab cop is caught up in a conflict involving two gangs of young graffiti artists.

