An eccentric and alcoholic widow hosts a motley assortment of travelers - four men, three women and one gorilla - who arrive one eventful night to get out of a torrential rainstorm.

An eccentric and alcoholic widow hosts a motley assortment of travelers - four men, three women and one gorilla - who arrive one eventful night to get out of a torrential rainstorm.

An eccentric and alcoholic widow hosts a motley assortment of travelers - four men, three women and one gorilla - who arrive one eventful night to get out of a torrential rainstorm.

"Curt McDowell's NUDES (A Sketchbook) is a paean to the filmmaker's closest friends: a series of portraits (beginning with one of George Kuchar) based on stylized, often graphically sexual interpretations of his or her personality. The portraits also, at times, represent Curt's own sexual interests as he projects them onto the lives of others. My favorites are 'Barbara', a Pre-Raphaelite vision of woman and 'Ainslie', a musical spoof on glamour. The filmmaker's point of view ranges from compulsively erotic to light-hearted and self-debunking. A broad reading of the term 'romantic' would probably best describe the spectrum of extreme, even outrageous, possibilities which Curt embraces in this sketchbook/film." - Karen Cooper, Film Forum

"Curt McDowell's NUDES (A Sketchbook) is a paean to the filmmaker's closest friends: a series of portraits (beginning with one of George Kuchar) based on stylized, often graphically sexual interpretations of his or her personality. The portraits also, at times, represent Curt's own sexual interests as he projects them onto the lives of others. My favorites are 'Barbara', a Pre-Raphaelite vision of woman and 'Ainslie', a musical spoof on glamour. The filmmaker's point of view ranges from compulsively erotic to light-hearted and self-debunking. A broad reading of the term 'romantic' would probably best describe the spectrum of extreme, even outrageous, possibilities which Curt embraces in this sketchbook/film." - Karen Cooper, Film Forum

"Abner L. Fuqua clears his throat and I get mad and stand close to trains or cut my eyebrow off. Dorothy is Abner's wife. Abner can slap hard, like blue magic." - graffiti

"Abner L. Fuqua clears his throat and I get mad and stand close to trains or cut my eyebrow off. Dorothy is Abner's wife. Abner can slap hard, like blue magic." - graffiti

"Abner L. Fuqua clears his throat and I get mad and stand close to trains or cut my eyebrow off. Dorothy is Abner's wife. Abner can slap hard, like blue magic." - graffiti

"Curt McDowell's NUDES (A Sketchbook) is a paean to the filmmaker's closest friends: a series of portraits (beginning with one of George Kuchar) based on stylized, often graphically sexual interpretations of his or her personality. The portraits also, at times, represent Curt's own sexual interests as he projects them onto the lives of others. My favorites are 'Barbara', a Pre-Raphaelite vision of woman and 'Ainslie', a musical spoof on glamour. The filmmaker's point of view ranges from compulsively erotic to light-hearted and self-debunking. A broad reading of the term 'romantic' would probably best describe the spectrum of extreme, even outrageous, possibilities which Curt embraces in this sketchbook/film." - Karen Cooper, Film Forum

"Curt McDowell's NUDES (A Sketchbook) is a paean to the filmmaker's closest friends: a series of portraits (beginning with one of George Kuchar) based on stylized, often graphically sexual interpretations of his or her personality. The portraits also, at times, represent Curt's own sexual interests as he projects them onto the lives of others. My favorites are 'Barbara', a Pre-Raphaelite vision of woman and 'Ainslie', a musical spoof on glamour. The filmmaker's point of view ranges from compulsively erotic to light-hearted and self-debunking. A broad reading of the term 'romantic' would probably best describe the spectrum of extreme, even outrageous, possibilities which Curt embraces in this sketchbook/film." - Karen Cooper, Film Forum