Crystal Pite and the artists of the National Ballet return to the stage to remount the critically acclaimed Angels’ Atlas after a nearly two-year shutdown due to the pandemic. Crystal Pite: Angels’ Atlas grants audiences unprecedented access into Pite’s creative process, through intimate rehearsal footage and candid interviews, as the film builds towards an emotional opening night marking the National Ballet’s first performance onstage at the Four Seasons Centre for the Performing Arts after lockdown.

Created by Crystal Pite and Jonathon Young, the award-winning Betroffenheit is a boundary-stretching hybrid between theatre and dance that explores the psychological states of trauma, grief and addiction.

This short film addresses the revolving cycles of human conflict through contemporary dance. Celebrated choreographer Crystal Pite and dance filmmakers Marlene Millar & Philip Szporer commemorate the fading legacies of WWI, while also creating a moving homage to Pite’s mentors and contemporaries, whose lives and short careers are pitted against the fleeting nature of the dance art form. Featuring Theodore Ushev’s haunting and distinct artwork, the film explores the themes of conflict, loss, and rescue we all experience as we cycle through states of love and war.

Christopher Wheeldon's Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Ezio Bosso and lit with the rich colours suggested by sunset. In Flight Pattern, Crystal Pite combines Górecki's haunting “Symphony of Sorrowful Songs” with a large dance ensemble to create a poignant and passionate reflection on migration. Between them, Medusa is new work inspired by the Greek myth, created for The Royal Ballet by the acclaimed choreographer Sidi Larbi Cherkaoui, which juxtaposes Purcell arias with an electronic score by Olga Wojciechowska.

Composer Thomas Adès conducts the Met premiere of his powerful opera based on Shakespeare’s last play, in Robert Lepage’s brilliantly inventive production. Simon Keenlyside is the magician Prospero, who conjures the storm that shipwrecks his enemies and sets in motion the course of events. Rising Met stars Isabel Leonard and Alek Shrader are the young lovers, Miranda and Ferdinand, Alan Oke sings the sinister Caliban, and Audrey Luna gives a memorable performance as the sprite Ariel.

Inspired by Nikolai Gogol’s 1836 play The Inspector General, Revisor is part risky satire, part choreographed lip-synch and all urgent warning of unchecked power. When a lowly government employee arrives in town to revise some legal documents, he is mistaken for a high-powered official and spoiled with attention.

Inspired by Nikolai Gogol’s 1836 play The Inspector General, Revisor is part risky satire, part choreographed lip-synch and all urgent warning of unchecked power. When a lowly government employee arrives in town to revise some legal documents, he is mistaken for a high-powered official and spoiled with attention.

Created by Crystal Pite and Jonathon Young, the award-winning Betroffenheit is a boundary-stretching hybrid between theatre and dance that explores the psychological states of trauma, grief and addiction.

'The Statement’ is a wedge of realism; cold and current. A one-act play, with four characters locked in their own battle for control, and with the morality of their actions: they have been tasked with fueling a conflict in a distant country. Now, being asked to take responsibility for their actions in order to exonerate their superiors, a conflict is rising within their department. Writer - Johnathon Young. Choreographer - Crystal Pite.