Acting
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The story of the CEO of a recently privatized company.
Based on the events which took place the night of April 24th, 1999 in Portugal. This is the story of the Coup d'État which put an end to the Dictatorship and reinstated the Democracy.
Catarina Menezes is a bisexual TV reporter who decides to have a child on her own and chooses Spanish humanitarian doctor Rafael to father the child, setting up an elaborate charade to lure him into her bed. When Catarina reveals her pregnancy, though, her current live-in girlfriend doesn't take to it kindly and promises to make Catarina's life hell; to make matters worse, Rafael finds out her true identity and comes to Lisbon to see her. And Catarina's sole refuge is in the arms of fellow journalist Francisco, her professional relationship slowly becoming a romantic one.
Rui Esteves is a thirty-something provincial doctor, praised for his human qualities towards the elderly and needy in a village where loneliness and abandonment are as much or more of a problem than illness and disease. When a controversial revelation exposes him as an impostor, Rui is removed from his position and forced to relive a past of pain and alcohol dependence.
A group of innocent hostages is left to their own deaths facing a clockwork bomb, while the whole country watches them on the TV.
Xavier returns to Lisbon after a military stint, determined to lead a meaningful life, only to find his world closing in on him.
Every night, in danger of being beheaded, Scheherazade tells King Shahryar unfinished tales to continue them the following night, hence defying his promise of murdering his new wives after their wedding night. Scheherazade tells King Shahryar her stories but these are not those in the book. As in the book, these stories are tragic and comical, with rich and poor, powerless and powerful people, filled with surprising and extraordinary events.
Some of the chapters from Arabian Nights are adapted to a modern Portugal in this epic.
Dois Dragões follows a small dog on an adventure in a Chinese restaurant, where its owner (Ana Zanatti) goes to have dinner with her daughter (Beatriz Batarda). Terrorised by the possibility of being turned into Chop Suey, the dog passes a frightening night, running through the restaurant and hearing the telenovela-like conversations taking place at the different tables. With the camera placed in the dog’s perspective, this short film acts as an amusing panorama of Lisbon society at the end of the 20th century.
Ramiro is a bookstore owner in Lisbon and a poet in perpetual creative block. He lives, somewhat frustrated, somewhat conformed, between his shop and the tavern, accompanied by his dog, his faithful drinking companions and his neighbors: a pregnant teenager and her grandmother recovering from a stroke. He would gladly continue living this quiet and somewhat anachronistic routine if events worthy of a soap opera did not invade his bubble.
When her husband dies, Dora Rosário, a woman trapped in the dark years of the Estado Novo, begins to live only for her daughter Lisa and for the memory of her deceased husband, who accompanies her daily. However, when she discovers that her husband was not who she thought he was, Dora questions her entire past and ventures out in search of a new life. But she will soon discover that mourning will not be as easy as she wants to believe.