A compilation disc in two parts. The first is a collection of 70s television ads called "What The 70s Really Looked Like", curated by Matt McCormick and Morgan Currie. The second part is called "70s Remix" (curated by Craig Baldwin and Noel Lawrence) which features a selection of art films that all make interventions on found footage from the 70s. These films include Matt McCormick's "The Vyrotonin Decision", Thad Povey's "Thine Inward-Looking Eyes", Tony Gault's "Not Too Much Remember", Damon Packard's "Toast 'ems", People Like Us's "We Edit Life" and Animal Charm's "Mark Roth".

Lesson 9 is a short film about the loss of a lover to insanity. Part horror story, noir-like mystery and disaster film, Lesson 9 weaves together shards of a narrative that has been shattered like excerpts from the journal of a lover gone mad. A disaster movie after the disaster, the film uses three different definitions of possession to form its thematic structure and to explore love, loss, sexuality and insanity.

In post-apocalyptic 2007 where a government cover-up disseminates via mass media and the history of electromagnetic technologies, from X-rays to the Internet, telepath Boo Boo travels through the history of TV to fight against a corporate-controlled 'New Electromagnetic Order'.

In post-apocalyptic 2007 where a government cover-up disseminates via mass media and the history of electromagnetic technologies, from X-rays to the Internet, telepath Boo Boo travels through the history of TV to fight against a corporate-controlled 'New Electromagnetic Order'.

In post-apocalyptic 2007 where a government cover-up disseminates via mass media and the history of electromagnetic technologies, from X-rays to the Internet, telepath Boo Boo travels through the history of TV to fight against a corporate-controlled 'New Electromagnetic Order'.

A radical hybrid of spy, sci-fi, Western, and even horror genres, Craig Baldwin's Mock Up On Mu cobbles together a feature-length "collage-narrative" based on (mostly) true stories of California's post-War sub-cultures of rocket pioneers, alternative religions, and Beat lifestyles. Pulp-serial snippets, industrial-film imagery, and B- (and Z-) fiction clips are intercut with newly shot live-action material, powering a playful, allegorical trajectory through the now-mythic occult matrix of Jack Parsons (Crowleyite founder of the Jet Propulsion Lab), L.Ron Hubbard (sci-fi author turned cult-leader), and Marjorie Cameron (bohemian artist and "mother of the New Age movement"). Their intertwined tales spin out into a speculative farce on the militarization of space, and the corporate take-over of spiritual fulfillment and leisure-time.

A radical hybrid of spy, sci-fi, Western, and even horror genres, Craig Baldwin's Mock Up On Mu cobbles together a feature-length "collage-narrative" based on (mostly) true stories of California's post-War sub-cultures of rocket pioneers, alternative religions, and Beat lifestyles. Pulp-serial snippets, industrial-film imagery, and B- (and Z-) fiction clips are intercut with newly shot live-action material, powering a playful, allegorical trajectory through the now-mythic occult matrix of Jack Parsons (Crowleyite founder of the Jet Propulsion Lab), L.Ron Hubbard (sci-fi author turned cult-leader), and Marjorie Cameron (bohemian artist and "mother of the New Age movement"). Their intertwined tales spin out into a speculative farce on the militarization of space, and the corporate take-over of spiritual fulfillment and leisure-time.

Within days of the release of Negativland's clever parody of U2 and Casey Kasem, recording industry giant Island Records descended upon the band with a battery of lawyers intent on erasing the piece from the history of rock music. Craig "Tribulation 99" Baldwin follows this and other intellectual property controversies across the contemporary arts scene. Playful and ironic, his cut-and-paste collage-essay surveys the prospects for an "electronic folk culture" in the midst of an increasingly commodified corporate media landscape.

Coronado's ill-fated expedition across what is now the American Southwest is examined in a mix of found footage and live-action.

Coronado's ill-fated expedition across what is now the American Southwest is examined in a mix of found footage and live-action.