The boys get arrested for robbing an ATM machine and spend 18 months in jail, upon release they decide to pull off "The Big Dirty", a plan to steal a large amount of coins because they are untraceable and quit their life of crime forever.

After a psychic predicts his death, a small-time hoodlum named Julian hires a cheap documentary film crew to document the last few days of his mis-spent life. This is the film that pioneered the show of the same name.

Treevenge details the experiences and horrifying reality of the lives of Christmas trees. Clearly, for trees, Christmas isn’t the exciting “peace on earth” that is experienced by most. After being hacked down, and shipped away from their homes, they quickly become strung up, screwed into an upright position for all to see, exposed in a humiliation of garish decorations. But this Christmas will be different, this Christmas the trees have had enough, this Christmas the trees will fight back. Treevenge could be a short film about the end of days for Christmas trees, or perhaps, the end of humanity?

In this holiday prequel, it’s 1997 and Sunnyvale Trailer Park is getting ready for the holiday season. Julian’s got a great idea to make money this Christmas, Ricky gets confused between God and Santa, and Bubbles tries to get the Boys together for an annual Christmas bonfire. Meanwhile, Mr. Lahey is thrilled because Christmas is the only day of the year that his wife Barb allows him to have a few drinks. Directed by series creator Mike Clattenburg, this hour-long special takes place before Jamie was J-Roc, before Randy and Lahey were a couple, and before the Shitmobile was missing a door.

A socially introverted game designer named William Borchert has barely left his house in years. Once reunited with Olivia, the girl he had loved since high school, he fights to live with his condition of undiagnosed Autism and to form a hopeful future.

A short film that weaves together original and archival material to create an ethereal narrative texture, Black Saltwater Elegy intimately links the discordant threads of a popular history of dispossession (Africville) with the solitude of its protagonist's graveyard-shift fantasies. After opening with disquieting archival footage of the demolition of Africville, the film shifts to an austere observational portrait. A palatable sense of the duration of midnight work slowly shifts into subtle gestures that hint towards choreographed events. Eventually, a breech occurs as the protagonist fuses with an emergent dreamscape, where ruined landscapes and a resurrection of an extinct community intertwine. Using the protagonist's disembodied point-of-view, the audience floats above a reconstructed Africville, one forever present, nesting in a bed of saltwater fog.

Donnie Rose went to prison for beating a young man so brutally it left him handicapped for life. Nine years later, Donnie is out. He's a different man with only one place to go: back home to the same violent and racist neighborhood that created him. At the other end of town, the black community still wants revenge. The instrument of justice will be Ossie Paris, a devastatingly talented boxer who challenges Donnie to a match; a match Donnie's family and peers won't let him refuse. George Carvery has waited nine years to avenge his son's fate at the hands of Donnie. When finally they meet face to face, however, both realize they share a similar desire to overcome the past.

Ben, a slightly uptight man, ends up hiring his gay brother Shel, a party planner, to be his wedding planner. The two seem to be getting along famously, but then in the midst of planning, politics enters the fray. Ben is engaged to the governor's daughter, and the governor has taken a public stance against same sex marriage. Though his constituents seem to approve of his political agenda, Shel doesn't. And he shows his displeasure by walking off the job and going on strike for equal rights.