
Acting
Cornélia Wilms (sometimes credited with the accent as Cornélia Wilms) is a French actress who left her mark on the golden age of European erotic and cult cinema in the 1980s. She embodied that perfect mix of elegant beauty, raw sensuality, and fearless on-screen sexuality that defined the era’s most memorable adult-tinged films. While never a mainstream superstar, she became a cult favorite among fans of stylish, explicit European productions — the kind of woman who could make a simple scene feel like pure temptation. Career & Notable Work Active primarily in the early-to-mid 1980s, Cornélia appeared in several stylish European productions that blended adventure, drama, and heavy erotic content. She was never afraid to go fully nude or participate in quite explicit scenes, which made her stand out. Key Films Include: The Perils of Gwendoline in the Land of the Yik Yak (1984) — A lavish, campy erotic adventure. She contributed to the film’s sensual atmosphere alongside star Tawny Kitaen. Dressage (1986) — An erotic drama with strong fetish and power-exchange elements. One of her more memorable and intense roles. English Education (1983) and Association of Wrongdoers (1987) — She brought her signature mix of class and carnality to these productions. Revenge of the Living Dead Girls and other genre-tinged erotic films. She often played women caught between desire and danger — mistresses, captives, or free-spirited temptresses. Her scenes tended to be passionate, sometimes kinky, and always visually striking. Fans remember her for her natural chemistry, willingness to go there, and that unmistakable “I know exactly what I’m doing to you” energy.

At a gathering of would-be society debauchees, the Baron Plessis de Regard and the attractive young Nathalie hatch their individual plans to use sex to respectively ruin and punish their selected enemies. The Baron's plan is to scupper the political ambitions of right-wing parliamentary candidate Colonel Montvilliers by setting him up with a female companion and publicly exposing his new-found vices. Nathalie's quest is of a more personal nature, to destroy her estranged father Charles Leroy-Merville by corrupting his innocent 17-year-old daughter Sophie, a task she intends to achieve by securing employ as the girl's summer tutor.

American Raphael talks his colleague at the Parisian University into spending his summer at the family's country mansion. But once there Raphael seduces and plays the sisters and mother against each other - until everyone is revealed at their very worst. As it turns out - that was Raphael's intention all along - because his own torrid past is deeply rooted in their family's dirty history.

A company, not wanting to pay for their chemicals to be dumped properly, put some into a truck of milk, which eventually kills three girls. The girls then return from the dead to seek bloody revenge.
