When a Filipino-American family reunites for a Christmas party, the holiday takes a dark turn when they conspire to murder the abusive bully of the family.

For those with an open mind about what cinema can be. Jerry Garanyan, an ambulance-chasing San Francisco lawyer, is a camera buff and a dogged collector of moving images. Though his legal career is a dead end which nevertheless pays his bills, he lives for the ordinary ghosts, extraordinary shadows, and fugitive moments he has preserved forever in his personal library of 8mm celluloid. As his dearest sister reckons with losing her hearing, he is targeted for an elaborate con by smooth film world scam artists who purport to represent the "real movies."

A cynical counselor at a crisis hotline finds himself in a life or death situation when a young man calls and threatens to kill three people and then himself.

Simon, an LGBTQ crisis hot-line operator, is becoming increasingly cynical over the frivolous calls he keeps receiving. It's all complaining and no actual crisis. Until one night when a young man named Danny calls in saying he is going to kill three other people before killing himself. Simon gets Danny to unravel his story of betrayal, the dark web and dangerous relationships. Originally re-titled and released as Crisis Hotline, the film-makers were not satisfied with the "slasher-movie" style marketing campaign. The film-makers have now restored the original title and extensively updated the physical elements of the film such as composing an all-new score, a sound design re-mix, a total color re-grade, a new pre-title sequence and re-edited scenes.