Adapted from the short story by Franz Kafka, The Judgment is a psychological drama exploring themes of alienation, memory, and the lines between fantasy and reality. The film follows Georg Bendemann, a young merchant living 1900s Prague, who is struggling to maintain balance in an ever changing world. As his situation deteriorates due to complicated familial relationships, we are compelled to question the very nature of what we are seeing.

Adapted from the short story by Franz Kafka, The Judgment is a psychological drama exploring themes of alienation, memory, and the lines between fantasy and reality. The film follows Georg Bendemann, a young merchant living 1900s Prague, who is struggling to maintain balance in an ever changing world. As his situation deteriorates due to complicated familial relationships, we are compelled to question the very nature of what we are seeing.

Adapted from the short story by Franz Kafka, The Judgment is a psychological drama exploring themes of alienation, memory, and the lines between fantasy and reality. The film follows Georg Bendemann, a young merchant living 1900s Prague, who is struggling to maintain balance in an ever changing world. As his situation deteriorates due to complicated familial relationships, we are compelled to question the very nature of what we are seeing.

Ted, an unlikable office manager, is one day kidnapped by Jeremy, a bereaved recluse, and forced to play-act his dead brother David. Slowly gaining Jeremy's confidence, Ted discovers his captor's true intentions and makes a plan to escape.

Ted, an unlikable office manager, is one day kidnapped by Jeremy, a bereaved recluse, and forced to play-act his dead brother David. Slowly gaining Jeremy's confidence, Ted discovers his captor's true intentions and makes a plan to escape.

Ted, an unlikable office manager, is one day kidnapped by Jeremy, a bereaved recluse, and forced to play-act his dead brother David. Slowly gaining Jeremy's confidence, Ted discovers his captor's true intentions and makes a plan to escape.

When a pair of colorful characters named Duke and Stanley arrive at Phillip's doorstep, Phillip does the neighborly thing and invites them in. A plate of donut holes later, Phillip discovers that welcoming Duke and Stanley into his home was a one-way ticket to eccentricity overdose.