Visual Effects
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A retrospective documentary looking at Graham Williams' three-year tenure as Doctor Who producer.
A 30-minute documentary looking at the writing and production of The Pirate Planet.
A look back at the somewhat troubled production of Nightmare of Eden with three of the behind-the-scenes crew who worked on it.
A special 50-minute documentary that looks at the making of The Hand of Fear, and also examines the special relationship between the Doctor and his companion, Sarah Jane Smith.
Colin Mapson, Mike Tucker and Dave Chapman take us behind the scenes and examine the visual effects used in Time and the Rani.
Family and colleagues remember the Doctor Who producer. In 1977, Birkenhead-born first-time producer Graham Williams took over one of the BBC’s most famous shows, Doctor Who. His turbulent three years in the role saw clashes with star Tom Baker, budgetary nightmares and catastrophic industrial action – but also the highest viewing figures the programme has ever achieved. Graham died in 1990, aged just 45, leaving behind a wife and three young children. In this intimate new film, Graham’s family, friends and colleagues look back on a life of darkness and light.
When married British women Rose Arbuthnot and Lottie Wilkins decide to take a break from their respective spouses, they stay at a castle in Italy for a quiet holiday. Joining the ladies is Caroline Dester, a young socialite, and Mrs. Fisher, an older aristocrat. Liberated from their daily routines, the four women ease into life in rural Italy, and each finds herself transformed by the experience.
A freak accident leaves two dangerously unstable spacecraft locked together, and a horde of monsters unleashed on their passengers.
Cymbeline, the King of Britain, is angry that his daughter Imogen has chosen a poor (but worthy) man for her husband. So he banishes Posthumus, who goes to fight for Rome. Imogen (dressed as a boy) goes in search of her husband, who meanwhile has boasted to his pal Iachimo that Imogen would never betray him. And Iachimo's determined to prove him wrong.
When the TARDIS lands in a quarry on Earth, Sarah unearths what appears to be a fossilised hand, buried in one-hundred-fifty-million-year-old strata. Analysis shows the hand to be silicon-based and inert, but when Sarah begins to act as if possessed, the Doctor suspects that it may still be alive...
The Rani has returned with another malicious scientific scheme. Taking advantage of the post-regenerative trauma the recently regenerated and unstable Doctor is going through, she hopes to achieve control of an approaching asteroid composed entirely of strange matter. Can the Doctor figure out he is being used for the Rani's evil experiment, and what is behind the door the Rani won't allow him past?