Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.

Following the Civil War, headstrong rancher Thomas Dunson decides to lead a perilous cattle drive from Texas to Missouri. During the exhausting journey, his persistence becomes tyrannical in the eyes of Matthew Garth, his adopted son and protégé.

An ex-convict sets out to uncover who framed him for an armored car robbery.

An ex-con trying to go straight must face a crazed criminal out for revenge.

After an asteroid draws an astronaut and his ship to its surface, he is miniaturized by the phantom planet's exotic atmosphere.

Film noir, which enjoyed particular success in the 1930s and 1940s, is probably the most profound genre of classic Hollywood cinema. Eckhart Schmidt tries to show the background and developments and speaks, among others, with directors such as Richard Fleischer and Robert Wise as well as with "femme fatale" actresses. Filmmakers of the following generations explain how the style and themes of noir continue to shape cinema today.

A young doctor taking a break from work is shot in the head, and the police can't find a clue even as to a possible motive. Inspector Al Gordon (John Alexander) decides that he has to put some men on duty at the hospital, and one of them is Fred Rowan (Richard Conte), a detective with experience as an army medic, masquerading as an intern. What Rowan finds is a high-pressure world in which interns are hopelessly squeezed for time, sleep, energy, and -- most of all -- money, and walk a fine line on the edge of personal and professional disaster.

A tough, womanizing high-stakes gambler known only as Tennessee has an uneasy relationship with Duchess, madam of a thinly-disguised bordello, and no other friends at all. But he's saved from murder by a lonesome cowpoke ('My friends call me Cowpoke'), in town to meet his fiancée Goldie on the steamboat. When she arrives, there's a mysterious undercurrent between Goldie and Tennessee, whose newfound friendship with Cowpoke is destined to be severely tried...

A man returns to his home -- a post Civil-War village -- and finds the law is in the hands of a few scrupulous people.

A Czech refugee uses women to advance his business interest.