
Acting
Clifford Parker Robertson III (September 9, 1923 – September 10, 2011) was an American actor whose career in film and television spanned half a century. Robertson portrayed a young John F. Kennedy in the 1963 film PT 109, and won the 1968 Academy Award for Best Actor for his role in the film Charly. On television, he portrayed retired astronaut Buzz Aldrin in the 1976 adaptation of Aldrin's autobiographic Return to Earth, played a fictional character based on Director of Central Intelligence Richard Helms in the 1977 miniseries Washington: Behind Closed Doors, and portrayed Henry Ford in Ford: The Man and the Machine (1987). His last well-known film appearances were as Uncle Ben in the 2002–2007 Spider-Man film trilogy.

The seemingly invincible Spider-Man goes up against an all-new crop of villains—including the shape-shifting Sandman. While Spider-Man’s superpowers are altered by an alien organism, his alter ego, Peter Parker, deals with nemesis Eddie Brock and also gets caught up in a love triangle.

Peter Parker is going through a major identity crisis. Burned out from being Spider-Man, he decides to shelve his superhero alter ego, which leaves the city suffering in the wake of carnage left by the evil Doc Ock. In the meantime, Parker still can't act on his feelings for Mary Jane Watson, a girl he's loved since childhood. A certain anger begins to brew in his best friend Harry Osborn as well...

After being bitten by a genetically altered spider at Oscorp, nerdy but endearing high school student Peter Parker is endowed with amazing powers to become the superhero known as Spider-Man.

Spaces: The Architecture of Paul Rudolph is a 1983 American short documentary film narrated by Cliff Robertson and produced by Bob Eisenhardt about the work of architect Paul Rudolph. It recreates a genuine sense of the personal presense of the late modern architect and the ambience of his studio. Mr. Rudolph was widely recognized within the architectural profession as spontaneously brilliant, and the unchallanged master of space and the manipulation of form. It was nominated for an Academy Award for Best Documentary Short.

Into the 9.6-quaked Los Angeles of 2013 comes Snake Plissken. His job: wade through L.A.'s ruined landmarks to retrieve a doomsday device.

The British send an American and a war hero to kidnap and hide an oil-country prince.

A wealthy New Orleans businessman becomes obsessed with a young woman who resembles his late wife.

A woman lives in Acapulco with moochers and a husband who married her for her money.

Naive Midwestern prep student Jonathan bonds with his more worldly roommate, Skip, who takes the small-town boy under his wing. At Skip's urging, the inexperienced Jonathan is emboldened to seek out older women in the cocktail lounges of nearby Chicago, where he meets and beds the alluring Ellen, who unfortunately turns out to be Skip's mother. The division between the friends is further deepened when a cheating scandal engulfs the school.

Paul Snider is a narcissistic, small time hustler who fancies himself a ladies man. His life changes when he meets Dorothy Stratten working behind the counter of a Dairy Queen. Under his guidance Dorothy grows to fame as a Playboy Playmate. But when Dorothy begins pursuing an acting career, the jealous Paul finds himself elbowed out of the picture by more famous men.

People are being killed by someone or something using superhuman strength. A clever DA Assistant is sent to investigate. Is this just a way to commit the perfect murder or will the legend of the Jersey Devil prove to be true?

Mike Hagan is a pilot in passenger service and candidate for the honor "Best Pilot of the Year". Nobody knows that he's got private sorrows - he's an alcoholic. A stewardess notices his regular visits of the toilet and reports it.

After losing eight years to prison, cowboy J. W. Coop is released to return to life as a professional rodeo cowboy in the 60's. Determined to make up for the lost 'prime' years of his career, he doggedly goes forward, and learns that not only has the business of rodeo changed during his incarceration but society as a whole has made dramatic changes as well.

After losing eight years to prison, cowboy J. W. Coop is released to return to life as a professional rodeo cowboy in the 60's. Determined to make up for the lost 'prime' years of his career, he doggedly goes forward, and learns that not only has the business of rodeo changed during his incarceration but society as a whole has made dramatic changes as well.

After losing eight years to prison, cowboy J. W. Coop is released to return to life as a professional rodeo cowboy in the 60's. Determined to make up for the lost 'prime' years of his career, he doggedly goes forward, and learns that not only has the business of rodeo changed during his incarceration but society as a whole has made dramatic changes as well.


