Rodrigo Borgia, Pope Alexander VI, has three adult children: Juan, who is virtuous and has a sweetheart who is a woman of the people, Lucrezia, who is virtuous and wants to marry Alfonso, and Cesare, who is wicked and lusts after Lucrezia, Juan's girlfriend, and probably others. Cesare has vowed to kill any suitor for Lucrezia's love, and he has three thugs to carry out his wishes. Bodies fall into the Tiber, into the Colosseum (with lions prowling), and onto the Vatican floors.

This anti-communist propaganda film discusses the revolutionary curse of communism in the Soviet-Union shortly before and after the fall of czardom in Russia, told from the point of view of Belarusians in exile. Anti-communist copy in color which has been discovered, restored and printed by the Royal Belgian Filmarchive.

Conrad Veidt plays a famous musician who is blackmailed for being gay. Eventually he stands trial and is convicted. At the end the film pleads for the abolition of §175 (the law that punishes homosexuality).

Dr. Egil Börne, an eminent physician, comes under the spell of an unscrupulous cabaret dancer and deserts his fiancée. The plot finds echoes throughout the Weimar period, including Sternberg’s The Blue Angel. Conrad Veidt appears in a supporting role as a sinister blind painter, whose entrance eerily presages Murnau’s Nosferatu. Der Gang in die Nacht, the earliest surviving film by F. W. Murnau, is also, paradoxically, the only Murnau film for which the original camera negative exists.

A young Jewish woman is pressured to marry a wealthy man even though she is in love with someone else.