A young filmmaker becomes involved with a gangster in Berlin. Based on the Ulf Miehe novel Ich hab' noch einen Toten in Berlin.

A thriller directed by Eric Civanyan.

The unemployed machinist Alfred "Scheff" Schefczyk moves from Württemberg to West Berlin full of hope, where he finds a job as a transporter. There, however, he despairs at the seemingly insurmountable dependency structures and the lack of solidarity among his fellow sufferers. The rent in the workers' hostel is raised disproportionately, but nobody wants to mess things up with the landlord or janitor. At work, piecework hours are tightened, but nobody wants to go on strike, and when they do, they are quickly crushed by the management's tactics. When Scheff tries to mobilize against the dismissal of one of the delegates, he finds only one worker willing to sign. "Dear mother, I'm fine," he nevertheless writes on a postcard.

Paul has a foot fetish. He makes random phone calls asking women to describe their shoes. All hang up on him until he reaches Leyla, the daughter of Turkish immigrants. Fearing German xenophobia, she's not left her apartment in four months.

A series of rapes causes a stir in a German university town. A special commission led by senior public prosecutor Schildt and detective Gawilek investigates. After months of surveillance, everything points to a chaplain as the masked perpetrator, known as "Zorro". But the investigators were wrong, because "Zorro" strikes again when the chaplain is in custody. This time, charges were also filed. But not against "unknown", but against the son of the senior public prosecutor...

One day, a mysterious stranger shows up at a farm. The farmer's wife succumbs to the charms of the seemingly mute stranger. When she can no longer resist him, disaster strikes.

An art student takes revenge on a nasty financial shark for a prison sentence by "foisting" fake paintings on him

Based on the classic 19th century tale by German writer/composer E.T.A. Hoffmann, the film investigates the tale's themes of obsession and madness, emphasizing expressionist imagery and theatrical style. The story relates the life of the young student Nathanael, whose childhood memories are haunted by a sinister man. As a child, Nathanael believed this dark figure to be the mythic Sandman, who puts children to sleep by stealing their eyes. When confronted by this same evil presence as an adult, he is pushed toward madness as he tries to confront his childhood fears.