From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.

Shipped off to a Romanian orphanage to finish his sentence, a British criminal finds romance but also discovers corruption inside the facility.

After his training as a policeman, the young, shy Köppe is transferred to a northern German town. Unfortunately, in an area where fox and rabbit say goodnight, there is little for a lawman to do. So Köppe kills time with the search for mysterious cow murderers, flirting with two attractive women and befriending a likeable petty crook.

In October 1989, the part of the West Berlin borough of Kreuzberg called SO 36, had been largely shut off by the Wall from the rest of the city for 28 years. A lethargic sub-culture of students, artists, bohemians and barflys had flourished among crumbling buildings. Part of that microcosm is barkeeper Frank, semi-formally called 'Herr Lehmann' by friends and patrons. He hangs out drinking, sports utter disregard for anything beyond SO 36 and lazily pursues an affair with cook Katrin. His lifestyle is gradually disturbed, when his parents show up for a visit, things go awry with Katrin and his best friend Karl starts to act strange. Meanwhile, political turmoil mounts on the other side of the Wall.

A group of kids grow up on the short, wrong (east) side of the Sonnenallee in Berlin, right next to one of the few border crossings between East and West reserved for German citizens. The antics of these kids, their families, of the "West German" friends and relatives who come to visit, and of the East German border guards, all serve to illustrate the absurdity of everyday life on the Sonnenallee, and therefore throughout the former East Germany.

Somewhere in the GDR, in 1988: young soldier Henrik Heidler starts his service in the National People's Army, a whole new world. Together with the weighty troublemaker Krüger, Heidler and his fellow soldiers try to somehow do their time between old hands and bureaucrats. It's not always fun, because the superiors are annoying with socialist propaganda from the day before yesterday, the material and equipment is scarce and not exactly new, while morale is at rock bottom. His relationship with his girlfriend isn't holding up either. But then Heidler meets Marie, the daughter of commander Kalt of all people, and falls in love. And then, at some point, the Wall comes down and everything changes ... for everyone in the NVA!

A support program brings the two convicts Gerd and Steinbock into the care of women. There they are supposed to prove that they are capable of integrating into society. Now Gerd stupidly kills a bar owner. This puts an end to their excursion into freedom for the time being.

Two young and attractive social workers/nuns bring fresh air into a city missionary station, but are also challenged by lust and money, offered by a millionaire.

Jonas is 18-years-old and has had to repeat several years of his education. His acceptance into Brandenburg's Paul Dessau Comprehensive School is his last chance at getting any qualifications. The experimental film project 'Jonas' is mix of fiction and documentary. It was shot during actual lessons at a comprehensive school in Brandenburg. It uses the teachers and pupils of the school, and stars Christian Ulmen as Jonas. The aim of the project was to capture the influence of an artificial figure in a real space. Made with a subtly wry smile, this is a fascinating study of the school system, puberty, love and music.

When robbers hit Falkenstein castle, teen witch Bibi and pal Tina hunt for the crooks, then devise a plan to save the neighbors' failing ranch.