The story of a long-lost book that mysteriously reappears and connects an old man searching for his son with a girl seeking a cure for her mother's loneliness.

While working in Europe, Avram comes to realize that Italians are paying good money for trained dogs that can protect them from the waves of immigrants. That's Avram's big-time idea: he returns to Romania to start breeding watch dogs which he can later export to Italy. As it happens, he settles next to a camp of immigrants recently sent back from Rome. Thus, the Italian tension is willy-nilly reenacted on the banks of the Danube. Avram's life gets complicated. He starts having an affair with his own daughter in law, lands in conflict with his ex-immigrant neighbors and his life is literally under threat. The film ends with an unpredictable situation.

Nina, a former Miss of a province town currently unemployed, who has enough of her boring life with her husband, Cornel. She decides to kidnap Marinela, the bride of an local mobs wedding, in exchange of a huge ransom that hopefully will provide her a better life. Surprisingly enough the bride refuses to return to her disgusting husband and provokes a series of events very serious for her family, but hilarious for the movie.

In the heart of the Danube Delta, superstition and religion are mixed together, like the earth and water that make up the mysterious mud from Tekir’s area, not far away. Chased away from her village because of her mysterious pregnancy, Mara finds herself employed at the Europa Hotel, providing treatment for infertile women using this miraculous mud. As she meets the rich and eccentric Mrs. Lili, Mara questions her beliefs and intuitions. The relationship between the two women is the key of the miracle of Tekir, between magic and power, tradition and modernity.

Ion Meda, a senator " all-knowing " who goes to a small provincial town to ensure the success of an auction. There he has to face, with or without quotes, several opponents: the mayor, the local press .

Composed of six unconventional vignettes, each one dealing with the late communist period in Romania, a narrative is told through its urban myths from the perspective of ordinary people. The title refers to the alluded "Golden Age" of the last 15 years of Ceaușescu's regime.