
Acting
Claudio Amendola (born 16 February 1963) is an Italian actor, director and television presenter. He starred in the 1993 film The Escort, which was entered into the 1993 Cannes Film Festival. Born in Rome and the son of actors and voice dubbers Ferruccio Amendola and Rita Savagnone, Amendola started his movie career during the 1980s, playing comic roles in some Italian comedies directed by Carlo Vanzina. In 1987 he played his first dramatic role in Soldati - 365 all'alba, directed by Marco Risi, and in the following decade he confirmed his dramatic skills in some movies like Ultrà (1990) and The Escort (1993), both directed by Ricky Tognazzi. During the 2000s Amendola became a very popular television actor, acting in the popular fiction I Cesaroni, the Italian version of Los Serrano. Amendola is married to actress Francesca Neri and they have a son together, Rocco. He also has two daughters from a previous marriage. One of them is voice actress Alessia Amendola. Source: Article "Claudio Amendola" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Jesus, a carpenter living a simple life, discovers his destiny as the biblical Messiah.


A teacher discovers his calling. Marco relocates to Palermo from Milan and takes a job teaching in a reform school while he waits for a high school position. He tries to understand and motivate his handful of students, reading them colloquial poetry, encouraging them to stand up for their rights, finding out about their histories. Natale, in for murder, enamoured of the Mafia, the King Rat within the group; Mery, a drag queen, arrested for assault when defending himself, in love with Mario and, in daylight, rejected by all; Pietro, illiterate, muscular, believing his destiny is set; the callow Claudio, vulnerable, learning to harden himself. What can Mario learn and do in such a short time?

Christmas holidays on the snow of Cortina D'Ampezzo. Mario, a guy from Rome who has not much money, falls in love with the American Samantha, the girlfriend of hypochondriac Roberto. Billo, a singer and a playboy, meets Ivana: she's married with a rich man, Donatone, but in the past she had a flirt with Billo, who wants to reignite the flame.

Claudio Scanna is a private in the Italian army: during his first night in a new military base he gets in a fight with senior recruits. Lieutenant Fili, Claudio's commanding officer, is denied a promotion because his superiors discover he was absent without justification during the night of the fight. Fili blames Claudio and vows to make his remaining months in the service a living hell...

The young Antonio wants to participate in a reality show and leaves Naples for Milan with his best friend Eugenio.

A group of students from the San Crispino school for boys take a holiday in the United States, traveling from New York to Los Angeles. Young Father Don Buro has great difficulty controlling the youngsters, especially trouble making ex-student Peo, and finds himself distracted by the attractive single mother of one of the boys.

Serafina, Pulcinella and Isabella are three lusty, beautiful members of a traveling theatrical troupe touring the French countryside in the 17th century, leaving in their wake a crop of broken hearts. This picaresque romantic comedy is based on the 1863 novel Le Capitaine Fracasse by Theophile Gauthier. In the story, the company stops at a castle owned by the scruffy young Baron de Sigognac, who is deeply smitten with the charms of the middle-aged (and somewhat morose) beauty Serafina. He decides to travel with the company, and Serafina perversely tries to get him to woo the youngest of the company, the newly bereaved Isabella.

Rocky Giraldi, son of police officer Nico, followed in his father's footsteps and is now an agent in the police force's operational departments. He is currently working on a seemingly straightforward case: the murder of a burglar. In reality, behind the crime lies a dangerous network of drug dealers involved in money laundering, which also includes an important law enforcement official whom the man knows well.

In 1985 in Milan Michele Croce is now in prison and decides to answer the magistrate's questions, telling how in the seventies he became the ruler of the Milanese underworld.

Two temp workers, a pensioner and an old bully discover the sport of curling by chance and, convinced of their potential, plan to compete at the 2006 Winter Olympics in Turin.

In Rome, the Cassamortari are people who work in the funeral business. The Pasti family's agency was founded by Giuseppe, who is willing to do anything to turn a corpse into money, preferably in black.

Two temp workers, a pensioner and an old bully discover the sport of curling by chance and, convinced of their potential, plan to compete at the 2006 Winter Olympics in Turin.

The story of four inmates during their 48 hours furlough, of their reality and how it has brought them behind bars. The characters are described with realism, with their contradictions, their desperation, the temptation of an escape, but the cornerstone of the movie is the sincerity of the positive feelings of each and everyone of them: the love of a father for his son, the love for a woman, for friends, and most of all the pursuit of a lost (if ever had) personal dignity and pride. Four characters of different ages and extractions, three man and a woman: Luigi, Donato, Rossana and Angelo.

The story of four inmates during their 48 hours furlough, of their reality and how it has brought them behind bars. The characters are described with realism, with their contradictions, their desperation, the temptation of an escape, but the cornerstone of the movie is the sincerity of the positive feelings of each and everyone of them: the love of a father for his son, the love for a woman, for friends, and most of all the pursuit of a lost (if ever had) personal dignity and pride. Four characters of different ages and extractions, three man and a woman: Luigi, Donato, Rossana and Angelo.
The third and final installment in the Cassamortari/Funeral Family franchise, centred on the Pasti clan. Founded by Giuseppe Pasti, they're willing to do anything to turn a corpse into money, preferably in black.

The story of four inmates during their 48 hours furlough, of their reality and how it has brought them behind bars. The characters are described with realism, with their contradictions, their desperation, the temptation of an escape, but the cornerstone of the movie is the sincerity of the positive feelings of each and everyone of them: the love of a father for his son, the love for a woman, for friends, and most of all the pursuit of a lost (if ever had) personal dignity and pride. Four characters of different ages and extractions, three man and a woman: Luigi, Donato, Rossana and Angelo.

The story of four inmates during their 48 hours furlough, of their reality and how it has brought them behind bars. The characters are described with realism, with their contradictions, their desperation, the temptation of an escape, but the cornerstone of the movie is the sincerity of the positive feelings of each and everyone of them: the love of a father for his son, the love for a woman, for friends, and most of all the pursuit of a lost (if ever had) personal dignity and pride. Four characters of different ages and extractions, three man and a woman: Luigi, Donato, Rossana and Angelo.

The story of four inmates during their 48 hours furlough, of their reality and how it has brought them behind bars. The characters are described with realism, with their contradictions, their desperation, the temptation of an escape, but the cornerstone of the movie is the sincerity of the positive feelings of each and everyone of them: the love of a father for his son, the love for a woman, for friends, and most of all the pursuit of a lost (if ever had) personal dignity and pride. Four characters of different ages and extractions, three man and a woman: Luigi, Donato, Rossana and Angelo.

The story of four inmates during their 48 hours furlough, of their reality and how it has brought them behind bars. The characters are described with realism, with their contradictions, their desperation, the temptation of an escape, but the cornerstone of the movie is the sincerity of the positive feelings of each and everyone of them: the love of a father for his son, the love for a woman, for friends, and most of all the pursuit of a lost (if ever had) personal dignity and pride. Four characters of different ages and extractions, three man and a woman: Luigi, Donato, Rossana and Angelo.

