Live performance of Verdi's Missa da Requiem at the Edinburgh Festival in 1982. An all-star quartet of soloists under the baton of Claudio Abbado, recorded in high definition audio.

The historic 1984 revival performance of Il viaggio a Reims was the first time in over 150 years the opera was performed. Set in a luxurious hotel in Plombières-les-Bains, the opera follows a diverse group of aristocratic characters as they gather to celebrate the coronation of King Charles X of France. Amidst the festivities, wacky antics ensue, romantic entanglements unfold, and the characters face various comedic and dramatic challenges, showcasing Rossini's masterful blend of music, comedy, and drama.

Claudio Abbado once remarked that, “With Beethoven, you never stop learning“ and indeed: the 75-year-old Milanese maestro has constantly reworked the symphonies of the master from Bonn (1770-1827). When they performed and recorded all nine Beethoven Symphonies at the Academia Nazionale di Santa Cecilia in Rome, the nationwide Italian newspaper La Repubblica simply called it: “The most wonderful symphonic cycle of the past decade.” Each of the symphonies is of course a masterpiece in itself – each represents the composer’s musical idiom at a particular stage in his development. Be it the famous Pastorale, his 6th symphony, the popular 9th, with its characteristic motifs, the less commonly performed 4th or the 7th, which marked his leaning toward romantic undertones – Abbado’s interpretations are the fruit of decades of involvement with Beethoven.

Claudio Abbado once remarked that, “With Beethoven, you never stop learning“ and indeed: the 75-year-old Milanese maestro has constantly reworked the symphonies of the master from Bonn (1770-1827). When they performed and recorded all nine Beethoven Symphonies at the Academia Nazionale di Santa Cecilia in Rome, the nationwide Italian newspaper La Repubblica simply called it: “The most wonderful symphonic cycle of the past decade.” Each of the symphonies is of course a masterpiece in itself – each represents the composer’s musical idiom at a particular stage in his development. Be it the famous Pastorale, his 6th symphony, the popular 9th, with its characteristic motifs, the less commonly performed 4th or the 7th, which marked his leaning toward romantic undertones – Abbado’s interpretations are the fruit of decades of involvement with Beethoven.

Claudio Abbado once remarked that, “With Beethoven, you never stop learning“ and indeed: the 75-year-old Milanese maestro has constantly reworked the symphonies of the master from Bonn (1770-1827). When they performed and recorded all nine Beethoven Symphonies at the Academia Nazionale di Santa Cecilia in Rome, the nationwide Italian newspaper La Repubblica simply called it: “The most wonderful symphonic cycle of the past decade.” Each of the symphonies is of course a masterpiece in itself – each represents the composer’s musical idiom at a particular stage in his development. Be it the famous Pastorale, his 6th symphony, the popular 9th, with its characteristic motifs, the less commonly performed 4th or the 7th, which marked his leaning toward romantic undertones – Abbado’s interpretations are the fruit of decades of involvement with Beethoven.

Claudio Abbado once remarked that, “With Beethoven, you never stop learning“ and indeed: the 75-year-old Milanese maestro has constantly reworked the symphonies of the master from Bonn (1770-1827). When they performed and recorded all nine Beethoven Symphonies at the Academia Nazionale di Santa Cecilia in Rome, the nationwide Italian newspaper La Repubblica simply called it: “The most wonderful symphonic cycle of the past decade.” Each of the symphonies is of course a masterpiece in itself – each represents the composer’s musical idiom at a particular stage in his development. Be it the famous Pastorale, his 6th symphony, the popular 9th, with its characteristic motifs, the less commonly performed 4th or the 7th, which marked his leaning toward romantic undertones – Abbado’s interpretations are the fruit of decades of involvement with Beethoven.

The plot takes place in the Bay of Naples in the 18th century. Deeply convinced of women's infidelity, the cynical Don Alfonso provokes his young friends Ferrando and Guglielmo by impugning the constancy of their fiancées, sisters Dorabella and Fiordiligi.

The last and arguably finest opera of Modest Mussorgsky is captured in one of its most powerful interpretations in this 1989 recording from the Vienna State Opera, conducted by Claudio Abbado. A moody opera that is thematically broad at times and intimately personal in others, "Khovanshchina" tells the story of the 17th-century clash between Russian conservatives and Peter the Great's reformists. Among the singers is renowned basso Nicolai Ghiaurov and Paata Burchuladze, as well as Anatoly Kocherga, Ludmila Semtchuk, and Heinz Zednik.

For this performance of Mahler's Symphony No. 3, recorded live in 2007 at the Congress and Concert Hall Lucerne, Claudio Abbado and the Lucerne Festival Orchestra are joined by the Arnold Schoenberg Chor and the Tölzer Knabenchor. The soloist is Anna Larsson.