Nanni Moretti recounts in his diary three slice-of-life stories marked by a dry, ironic gaze: in the first, he rides his Vespa through a deserted, sun-drenched summertime Rome; in the second, he visits a reclusive writer friend on an island, who ropes him into an impromptu journey between islets in search of quiet; and in the last, he finds himself grappling with an unknown illness.

Altiero Molino is a twenty-six-year-old digital entrepreneur who’s returning to Ventotene with his model husband in order to gather his old friends together around his ailing father so as to treat him to one last holiday in this place which is so special to him. He didn’t expect to find the island all abuzz with Sabry Mazzalupi’s marriage to her partner Cesare. This young woman, who’s the awkward daughter of Roman shopkeeper Ruggero, has become an online celebrity and her wedding is a global event attracting the media as well as mysterious emissaries from the new political regime. These two tribes of vacationers, two seemingly irreconcilable sides of Italy, are destined to come together during the Ferragosto holiday for an ultimate showdown.

A Roman agent is sent to Palestine to investigate rumors of the resurrection of an executed criminal.

Inspired by the work of an award-winning Italian novelist, this post-modern noir fantasy is centered on the image of a young poet and his aristocratic family. Set in the 1800s the plot develops around an ancient curse and a series of mysterious and terrifying events occurring on the family country estate. Featuring authentic period sets and costumes, the film is a metaphor of maturing and becoming, where death and rebirth intertwine and perpetuate each other in a continuous flux of life.

The contemporary architecture of Rome are at the heart of the beautifully shot and winsomely appealing Nina, which charts the oddball escapades of a young woman in a depopulated Rome during one hot summer. This heartwarming tale of a lonesome girl who teaches singing and dog-sits during her holidays on the outskirts of Rome. Its striking cinematography evokes Nina's indefinable anxiety. By opening herself up to life she conquers a vision of her future full of imagination and beauty.

A woman travels in a compartment of a train and a young man sits next to her with whom, almost immediately, sparks strike: once they arrive at their destination the boy realizes that the young lady has forgotten a book and so follows her to to return it. When the two are alone at home, without having even introduced themselves, they soon end up in each other's arms and spend an intense night of love. At dawn the man leaves. Also at dawn that same morning, a man is killed in his garage and it is soon discovered that he is the brother of the young man on the train.

Vito and Carla have been separated for a long time, they have three children and used to love each other deeply before their love went sour. Now Vito has a new life and Carla has a partner. At a time when everyone feels tragedy can be avoided, fate is on their other side. One night, Vito disappeared. From that day on, no one ever heard from him again. His disappearance triggered an investigation involving all those involved. But is there really an irrefutable truth in these cases?

A man spends peacefully his days in hospital without too many worries. He has been hospitalized for a while but that condition seems like the best way to live his life, safe from everything and everyone, without responsibilities and problems of any kind. It feels really good in there and even if some of his ward companions feel trapped, for them he can also feel free like nowhere else. That precious routine runs smoothly until a new person is admitted to the same ward. She is a restless, angry companion, she accepts nothing of that condition, especially the unwritten rules. She is not willing to wait, she wants to leave that place better or even worse. She wants to live as she should or die, as happens to those who end up in there. He is overwhelmed by that fury, first trying to defend himself and then accepting something incomprehensible. That encounter will help him accept that if you choose to truly face your heart and your emotions, there is no possible repair.

Professor Lipari teaches in a public school and is in a full-on existential crisis. He has no faith in himself and in the possibility of changing the world for the better. At school, a former student of his who is also a teacher will change his attitude.

Like every August, journalist Sandro, his family and acquaintances vacation on the island of Ventotene. This time, however, they find out the house next door has been rented to a lower middle class family, whose crass nature and values soon clash with their own intellectual and progressive background.