There are three boxes in the same sphere. In one box, a human figure is having trouble fitting in. Sometimes he tries to conform, sometimes he tries to escape, and sometimes he just tries to do what he wants despite the box. In the next box, another figure is always trying to force the person in box one into whatever form that box is taking. And the last box is a television, which is cheering the other two on.

A writer, Kamouraska is based on a real nineteenth-century love-triangle in rural Québec. It paints a poetic and terrifying tableau of the life of Elisabeth d'Aulnières: her marriage to Antoine Tassy, squire of Kamouraska; his violent murder; and her passion for George Nelson, an American doctor. Passionate and evocative, Kamouraska is the timeless story of one woman's destructive commitment to an ideal love.

Set in cold rural Quebec at Christmas time, we follow the coming of age of a young boy and the life of his family which owns the town's general store and undertaking business.

A man struggles with his identity, his life choices, his interracial relationship, and his latent homosexuality. A portrait of some young intellectuals in early sixties Montreal.

A man struggles with his identity, his life choices, his interracial relationship, and his latent homosexuality. A portrait of some young intellectuals in early sixties Montreal.

An ordinary-looking chair refuses to be sat upon.

Dedicated “to all victims of intolerance,” "The Devil’s Toy" is a faux–public service documentary that chronicles the early days of skateboarding in Montreal. Framed as mock anti-skateboarding propaganda, Claude Jutra contrasts official hostility with the exhilaration and freedom experienced by youths racing downhill through city streets, shortly before the activity was banned.

Dedicated “to all victims of intolerance,” "The Devil’s Toy" is a faux–public service documentary that chronicles the early days of skateboarding in Montreal. Framed as mock anti-skateboarding propaganda, Claude Jutra contrasts official hostility with the exhilaration and freedom experienced by youths racing downhill through city streets, shortly before the activity was banned.