When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

After long absence, a man returns to his hometown only to find his best friend has become an alcoholic.

1951. André Bazin and Jacques Doniol-Valcroze founded "Cahiers du cinéma". With contributions from self-taught filmmakers (Jean-Luc Godard, François Truffaut, Claude Chabrol, Éric Rohmer, Jacques Rivette...), the magazine revolutionized film criticism and gave birth to the leading figures of the Nouvelle Vague.

In a small Breton town, a 10-year-old girl is found murdered. René, her art teacher, a professional painter, is the last person to have seen her alive. The inspector in charge of the investigation immediately questions him. In this small provincial town where people all know each other and regularly meet at the Bar des Amis, René is increasingly unsettled by the other inhabitants' suspicions and by the inspector's investigation. Children stop coming to him for lessons. His wife, Viviane, a district nurse, protects him and supports him with her love. However, a self-centred media-star writer adds to René's confusion...

In just ten films, Maurice Pialat painfully rose to the top of the cinema, draining into his legend a mad demand for truth as much as memorable fury to achieve it. With "L'Enfance nue", his first feature film at the age of 43, the filmmaker immediately made his mark, this "art of making things authentic", according to Chabrol. But throughout an unclassifiable filmography in the form of an autobiography, from a break-up to his fatherhood in wonder, through the agony of his mother, the filmmaker does not get rid of the feeling of being misunderstood, despite international recognition.

Mike (Jean-Paul Belmondo) is a stuntman who works with his girlfriend Jane (Raquel Welch). On their wedding day Mike and Jane are forced by producers to do a stunt for a film they are working on. Mike, annoyed doesn't look on the road and crashes the car causing them to end up in a hospital. After they come out Jane doesn't want to talk to Mike so he decides to get her a job in a film in which he is a stunt double for his double who is a star in action pictures but is in fact a wimp.

Eckhart Schmidt interviews Claude Chabrol.

Four Parisian women navigate the world of romance and daily life looking to fulfill their dreams.

Episodes in the lives of two country girls at school in Paris and their opinions.

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.