
Acting
Claude Joséphine Rose "Claudia" Cardinale (15 April 1938 – 23 September 2025) was an Italian actress. Regarded as one of the leading figures of Italian cinema, alongside Sophia Loren and Gina Lollobrigida, she achieved international recognition during a career spanning more than six decades. Celebrated in the 1960s as "the most beautiful woman in the world" and widely considered a sex symbol of the era, Cardinale appeared in more than 175 films, primarily in Italy and France, across genres including comedy, drama, spaghetti westerns, and historical epics. She collaborated with acclaimed directors such as Federico Fellini, Sergio Leone, and Werner Herzog, and several of her films are regarded as significant works in the history of cinema. At the time of her death, she was one of the last surviving stars from the Golden Age of European cinema. Born and raised in La Goulette, a municipality in Tunisia near Tunis, Cardinale won the "Most Beautiful Italian Girl in Tunisia" competition in 1957, the prize being a trip to Italy, which quickly led to film contracts, due above all to the involvement of producer Franco Cristaldi, who acted as her mentor for a number of years and later married her. After making her debut in a minor role with Egyptian star Omar Sharif in Goha (1958), Cardinale became one of the best-known actresses in Italy, with roles in films such as Rocco and His Brothers (1960), Girl with a Suitcase (1961), Cartouche (1962), The Leopard (1963) and Federico Fellini's 8½ (1963). From 1963, Cardinale appeared in The Pink Panther opposite David Niven. She went on to appear in the Hollywood films Blindfold (1966), Lost Command (1966), The Professionals (1966), Don't Make Waves (1967) with Tony Curtis, The Hell with Heroes (1968), The Red Tent (1969), A Fine Pair (1968), The Salamander (1981), and the Sergio Leone Western Once Upon a Time in the West (1968), a joint U.S.–Italian production, in which she was praised for her role as a former prostitute opposite Jason Robards, Charles Bronson and Henry Fonda. Jaded with Hollywood and not wanting to become a cliché, Cardinale returned to Italian and French cinema and garnered the David di Donatello for Best Actress award for her roles in The Day of the Owl (1968) and as a prostitute alongside Alberto Sordi in A Girl in Australia (1971).[1] In 1974, Cardinale met director Pasquale Squitieri, who would become her partner. She frequently featured in his films, including Blood Brothers (1974), Father of the Godfathers (1978) and Claretta (1984), the last of which won her the Nastro d'Argento Award for Best Actress. In 1982, she starred in Werner Herzog's Fitzcarraldo as the love interest of Klaus Kinski, who raises the funds to buy a steamship in Peru. In 2010, Cardinale received the Best Actress Award at the 47th Antalya "Golden Orange" International Film Festival for her performance as an elderly Italian woman who takes in a young Turkish exchange student in Signora Enrica. Over the years, Cardinale was outspoken about women's rights and became a UNESCO goodwill ambassador for the Defence of Women's Rights beginning in March 2000. In February 2011, the Los Angeles Times Magazine named Cardinale among the 50 most beautiful women in film history. ... Description above from the Wikipedia article Claudia Cardinale, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.

The trademark of The Phantom, a renowned jewel thief, is a glove left at the scene of the crime. Inspector Clouseau, an expert on The Phantom's exploits, feels sure that he knows where The Phantom will strike next and leaves Paris for the Tyrolean Alps, where the famous Lugashi jewel 'The Pink Panther' is going to be. However, he does not know who The Phantom really is, or for that matter who anyone else really is...

As Garibaldi's troops begin the unification of Italy in the 1860s, an aristocratic Sicilian family grudgingly adapts to the sweeping social changes undermining their way of life.

Carlo Cofield vacations to Southern California, where he quickly becomes immersed in the easy-going local culture, getting entangled in two beachside romances.

A history of the French Revolution beginning from the decision of the king to convene the Etats-Generaux in 1789 in order to deal with France's debt problem. Part one spans the event until August 10, 1792 (when the King Louis XVI lost all authority and was imprisoned). Part two carries the story through the end of the terror in 1794.

In Naples at the end of the 19th century, Nicola Bellizzi dreams of becoming a lawyer. However, when he seeks the reason that people are reluctant to help him in his goals, he discovers that some of his blood relations are high-ranking members of the Mafia. He tries to break away from his family obligations, but falls into a life of crime and violence.

A collection of nude and/or topless scenes from various films featuring actresses who were either famous at the time or who became famous later on.

An arrogant Texas millionaire hires four adventurers to rescue his kidnapped wife from a notorious Mexican bandit.

How a young and wild tomboy Tunisian girl became a great actress by accident. Claudia Cardinale : the fanciful destiny of a paradoxical movie star, who appeared in Federico Fellini's, Luchino Visconti's, Blake Edwards' and Sergio Leone's films.

A short documentary based on Sergio Leone's life and career, and the making of the film "Once Upon a Time in America."










