A Yugoslav stage actor marries an American girl in Belgrade and has a child with her, when his career downhill out of political reasons he develops a drinking habit, his wife leaves him and takes their daughter to U.S.A.

In August of 1949, Life Magazine ran a banner headline that begged the question: "Jackson Pollock: Is he the greatest living painter in the United States?" The film is a look back into the life of an extraordinary man, a man who has fittingly been called "an artist dedicated to concealment, a celebrity who nobody knew." As he struggled with self-doubt, engaging in a lonely tug-of-war between needing to express himself and wanting to shut the world out, Pollock began a downward spiral.

The lives of Ted and Marion Cole are thrown into disarray when their two adolescent sons die in a car wreck. Marion withdraws from Ted and Ruth, the couple's daughter. Ted, a well-known writer, hires as his assistant a student named Eddie, who looks oddly similar to one of the Coles' dead sons. The couple separate, and Marion begins an affair with Eddie, while Ted has a dalliance with his neighbor Evelyn.

A Danish prince and university student avenges his father's murder by his uncle, who stole the crown and married his mother.

A handsome and successful young man with a lovely fiancée, James Jackson seems to have everything going for him, but his life begins to unravel when he develops an acute sense of paranoia. At first, he notices little things at his office that he takes as signs that people are out to get him, but soon things escalate, with Jackson convinced that a perfume ad on television holds sinister messages aimed at him. Is Jackson losing his mind, or are the threats real?

Executives trapped in a fallout shelter unleash their savage instincts to face death.