
Directing
Cláudia Varejão was born in Porto and studied at the Creativity and Artistic Creation Program of Calouste Gulbenkian Foundation in partnership with the German Film und Fernsehakademie Berlin and the São Paulo International Film Acadamy. She also studied Photography at AR.CO in Lisbon. Claúdia is the author of the trilogy of short films Weekend, A Cold Day and Morning Light. Ama-san, a portrait of japanese divers, was her first feature film which received dozens of awards around the world, followed by In The Darkness of the Theater I Take Off My Shoes, a film that shows the intimacy of a group of dancers from a dance company. Amor Fati is her latest film due for release in 2020 and Wolf and Dog, in development, will bring us back her vision of fiction. Cláudia's films have been selected and awarded by the most pretigious film festivais, including Locarno, Rotterdam, Visions du Reel, Cinema du Reel, Karlovy Vary, Art of the Real - Lincoln Center, among many others. Alongside her work as a director, Cláudia develops a career as a photographer ans is a guest professor at AR.CO and Catholic University of Porto. Her work, whether in photography or film, documentary or fiction, lives in close proximity to those portrayed.

Filmmaker Catarina Vasconcelos sifts through the memories of her ancestors. Her naval officer grandfather, Henrique, who married her grandmother, Beatriz, on her 21st birthday, spent extended periods at sea, leaving her with six children. This is the beginning of a generational saga.

A digressive quest, through conversations with various people, about the need humanity has always had to tell stories about itself, about the power and enchantment of fiction.

A country house. A weekend. A family. Time goes by. Silence prevails. "But listen to the breath of the unceasing message made of silence."

Ana was born in São Miguel, an island in the middle of the Atlantic Ocean ruled by religion and traditions. Growing up as the middle child of a family of three with her mother and grandmother. Early Ana realized that girls and boys were given different tasks. Through her friendship with Luis, her queer best friend who loves dresses as much as pants, Ana questions the world that is promised to her. When her friend Cloé arrives from Canada, bringing with her the glowing days of youth, Ana embarks on a journey that will take her beyond the horizon.

Ana was born in São Miguel, an island in the middle of the Atlantic Ocean ruled by religion and traditions. Growing up as the middle child of a family of three with her mother and grandmother. Early Ana realized that girls and boys were given different tasks. Through her friendship with Luis, her queer best friend who loves dresses as much as pants, Ana questions the world that is promised to her. When her friend Cloé arrives from Canada, bringing with her the glowing days of youth, Ana embarks on a journey that will take her beyond the horizon.

The Ø island is composed of several landscapes within a single landscape. They are territories lived and shaped by interior and exterior time. There are no privatized territories on this island. They are landscapes that cannot be accommodated: they expand through encounters, clashes, pressures and frictions. Between silence and intimacy, new islands are sculpted, in a possible encounter between life and death.

On a summer's day, a mother, daughter and granddaughter's care-free day trip comes to an abrupt end. Beautiful and restrained.

The National Ballet of Portugal is celebrating its 40th anniversary. Since its foundation, it has aimed to present the great classics, as well as to always welcome contemporary creations. Day-to-day life is demanding for dancers, choreographers, musicians, répétiteurs, seamstresses, light technicians, sound technicians, and other elements of a large staff that make it possible for dance to travel through the rehearsal rooms and linger in the hallways before making it onto the stage. This film follows not only the company’s creations and premieres, but mainly each dancer’s silent and structural work.

The National Ballet of Portugal is celebrating its 40th anniversary. Since its foundation, it has aimed to present the great classics, as well as to always welcome contemporary creations. Day-to-day life is demanding for dancers, choreographers, musicians, répétiteurs, seamstresses, light technicians, sound technicians, and other elements of a large staff that make it possible for dance to travel through the rehearsal rooms and linger in the hallways before making it onto the stage. This film follows not only the company’s creations and premieres, but mainly each dancer’s silent and structural work.

A dive, the midday sunlight filtering down through the water. The air in her lungs has to last until she can dislodge the abalone. Dives like these have been carried out in Japan for over 2000 years by the Ama-San.

A dive, the midday sunlight filtering down through the water. The air in her lungs has to last until she can dislodge the abalone. Dives like these have been carried out in Japan for over 2000 years by the Ama-San.

