Upon their release from prison twen­ty years ear­li­er, Gérard, Ary and Philippe asked them­selves if hon­esty was not the best rack­et of them all. Today, they are insep­a­ra­ble and scrupu­lous­ly above board. But Gérard learns he is ter­mi­nal­ly ill. Their friend’s days being num­bered, Ary and Philippe want to offer him one last love sto­ry… because, as Gérard likes to say : love is bet­ter than life.

A little town in the north of France, 1941. Blanche has three children. She worries about her husband Victor, who often goes out at night. Actually, Victor belongs to the Resistance. Soon, Blanche will be a resistant too. In the network, there is also Germinal, the hairdresser. His daughter Marie knows everything and asks to be part of it... Chronicle of the occupation and of the resistance through the eyes of the women.

A lackadaisical handyman and aspiring novelist tries to support his younger girlfriend as she slowly succumbs to madness.

When a family wins a contest to adopt Victor, an 85-year-old man, the magazine intern who hatched the idea must undo what has been done.

The movie, for the most part, charts the AIDS epidemic in France from 1980 – present through the microcosm of a family, but particularly through their gay son Nicolas, who narrates the story.

A schoolteacher takes in a 16-year-old immigrant boy who has found himself without a foster family.

Cannes, the French Riviera. Armand Teillard is happy with life; a busy store downtown, a delightful girlfriend, a magnificent record collection and lunch every day at Sofia and Martial's family restaurant with a perfect sea view. So when Sofia tells Armand that Zapetti, a property developer with mafia connections, is putting the squeeze on her to sell up, he is horrified. Armand is an easy-going guy, but when he gets mad... actually, Armand never gets mad. He leaves that to his twin brother, Maurice, The Whistler. When Maurice rides into town in his Aston Martin and designer suit, Zapetti, his mob and the corrupt local politicians are in trouble. But what if, behind the dyed hair and tinted contact lenses, Maurice and Armand are one and the same guy? Is Cannes big enough for the both of them?

Les portraits désormais cultes de Stéphane Guillon sur Canal+ . S'adressant aux invités, il ose un ton inédit, parfois irrévérencieux mais toujours hilarant et taquine avec facétie et perspicacité Jean Dujardin, IAM, Christophe Lambert, Judith Godrèche, Rocco Siffredi, David Douillet, Joey Starr, Fabrice Luchini, Nagui, Marianne James, Bernard Kouchner... Et retrouvez en bonus, les invités en colère qui ne voulaient plus jamais entendre parler de leur portrait !...

Vincent Poirel, a multinational executive, has won the contract to build an Olympic stadium. The original design, however, was by young architect Simon Variot. When he discovers it, he goes to the construction site and is run over by Poirel. Simon dies, but is resurrected in the body of Poirel's son, who doesn't understand why the little boy hates him so much.

A historical comedy-drama by Victorien Sardou and Émile Moreau, concerning incidents in the life of Catherine Hübscher, an outspoken 18th-century laundress who became the Duchess of Danzig.