Acting
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Editor-in-chief of The Yesterday Gazette, Sérgio no longer separates reality from fiction. Meanwhile he tries to figure out weather he’s dreaming or just living in a crazy world, he must choose the newspaper's cover photo: a profile picture of a presidency candidate named Pig Bomb. In the midst of the fake news war, he sees himself as a representative of the Press. Little does he know that the raw material of his profession, truth, is already dead.
Strong and feminine, "Why don't you cry?" addresses the delicate topic of suicide. Jessica is very closed, Barbara is a time bomb. The two meet when, at the stage of the faculty of psychology, Jessica meets Barbara. The coexistence leads Jessica to question her empty and meaningless life.
In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.
A separated couple still share the same roof as a seemingly conventional family. The balance is broken with the arrival of the new ex-husband's girlfriend, highlighting the neuroses of the family's routine.
A history of vendetta and redemption occurs in the vicinity of a road, when the trajectory of a young policeman from the Capital intersects with a sergeant.
A sociopathic Nepalese man, a French couple in crisis, a manic Brazilian man, partying Paraguayans and touring African artists cross paths on one fateful day.
In 2006, a group of three desperate misfits forms a strong emotional bond, especially increased when they decide to play a highly rewarding, but dangerous confidence game.
Julio, abandoned by his wife Emília during a couple therapy session, decides to hire the clumsy and underemployed friend Santana to spy on his wife in the therapy group she attends.
Arthur is a narcissistic young director obsessed with his ambitious science fiction film, in which Platane, an evolved human, faces a conspiracy in a future where everything seems perfect. Miriam, an energetic producer and his best friend, tries to make the project happen, but Arthur sabotages everything and abandons the production. Years later, Miriam becomes a successful director, while Arthur never made his film. Too late, he realizes that what he really lost was her friendship.