Directing
Chulayarnnon Siriphol is a filmmaker and artist. His short film Planetarium premiered at the Cannes Film Festival 2018 as part of 10 Years Thailand.
"Viriyaporn Boonprasert" is the name of a filmmaker who has been making social satire films since 2012, and no one knows who she is until now. But Viriyaporn's films reflect the condition of Thai society and Thai politics in the past to the present.
Ang, a transgender sex worker with a pretty, feminine voice is assigned a special mission as an undercover spy. She disguises herself as a cisgender man to enter into a romantic relationship with Jit, a belligerent yet idealistic student activist with an evil voice.
In 2013, the director was hired to produce a short film on the causes and treatment of osteoarthritis among the elderly, yet the award-winning film was soon embroiled in an unexpected copyright controversy with the commissioning organisation. This self-reflexive documentary questions not only the notions of artistic reproduction and intellectual property rights in the digital age, but also the 'ownership' of democracy in Thailand.
The ideal world of perfect goodness is a spiritual refuge for people nowadays. Unsurprisingly, some sects, new religions and politic group are growing.
A collection of short films by five Thai directors imagining their country ten years into the future.
An adaptation of Sri Burapha (Kulap Saipradit)'s 1937 influential Thai novel, Behind the Painting. Forget Me Not is an attempt to reread the novel and also reread Thai political history at the same time.
ANGSUMALIN 48 is the full name of ANG48, which stands for the fictional organization Alliance of Nippon Girls 48. The film is a synthesis of archival materials from Asian film history, from different countries. The result is an intelligent operating system of 48 digits, born into a half-human, half-golden-snail figure. ANGSUMALIN 48 can dissolve and become invisible to human eyes in order to penetrate through the air as a secret cultural agent. ANGSUMALIN 48 women have the role of building connections, spreading good relations, and providing support for the alliance of Asian women in different countries to rise up and release their past pain—from WWII to the Cold War to today. The name of this operating system is chosen to commemorate and give honor to Angsumalin, a fictional character from the Thai novel Khu Kam (1969) by Thommayanti, and an emblem of honesty, loyalty, and love for the homeland.
Hyper-realistic minidrama. An afternoon in the life of fish processing plant labourer Wawa Kai, one of the many migrants from Myanmar working in factories in Thailand. The film follows her every move, revealing what looks like a routine day, but in fact it's a scary one for her, as she reports a crime.
a sonic and moving image collaboration between Liew Niyomkarn and Chulayarnnon Siriphol, commissioned by Sofia Lemos, for the multi-platform research programme SONIC CONTINUUM. Borrowing from the language of cosmetics advertisement, mass media and Thai soap opera, the work addresses questions around voice and speech in the context of the recent mobilisations in Bangkok. Using sound synthesis, Niyomkarn contrasts melodic parallels between the Thai anthem and the popular song 'Golden Land’ with dialogues and conversations ripped from and recorded in global protest events. Drawing on these sonic granularities, Chulayarnnon folds digital noise into an otherwise common manifestation of a capitalised gendered division of affects, intimacy and politics in contemporary Thailand.
Banned at the Thailand Biennale Krabi 2018, this film is based on the history of Khao Kha Nab Nam, Krabi. Filled with fantasy and historical facts, it treads the line between fiction and folklore.