A live concert that brings together the performances of Little Richard and other great artists like Chuck Berry and Billy Halley.

Teenage Dori can't convince her father to buy her a gown so she decides to get the money together herself in time for the prom.

Lizzie Borden High's class of '72 are going through the motions at their tenth-year reunion, until deranged alum Walter Baylor, driven insane by a sadistic senior-year prank, escapes from the mental institution and crashes the party. When guests start getting bumped off, the other alumni, including snooty yacht salesman Bob Spinnaker, class tease Bunny Packard, and class zero Gary Nash, spring into action to uncover the culprit.

This is not actually a concert film, but a compilation of two concert films, "The T.A.M.I. Show" and "The Big T.N.T. Show," both of which were shot 20 years previously.

This is the story loosely based on Cleveland disc jockey Alan Freed, who introduced rock'n'roll to teenage American radio audiences in the 1950s. Freed was a source of great controversy: criticized by conservatives for corrupting youth with the "devil's music"; hated by racists for promoting African American music for white consumption; persecuted by law enforcement officials and finally brought down by the "payola" scandals.

St. Louis, 1986. For Chuck Berry's 60th, Keith Richards assembles a pickup band of Robert Cray, Joey Spampinato, Eric Clapton, himself and long-time Berry pianist, Johnnie Johnson. Joined on stage by Etta James, Linda Ronstadt and Julian Lennon, Berry performs his classic rock songs. His abilities as a composer, lyricist, singer, musician and entertainer are on display and, in behind-the-scenes interviews, are discussed by Bo Diddley, Little Richard, Jerry Lee Lewis, Bruce Springstein, the Everly Brothers, Roy Orbison and others. There's even a rarity for Berry—a rehearsal. Archival footage from the early 1950s and a duet with John Lennon round out this portrait of a master.

Rock-n-roll promoter Alan Freed holds a talent search to develop a new rock star, then must find the elusive, mystery contestant (Jimmy Clanton) who doesn't know he has won.

This documentary chronicles the 1955 Brooklyn Dodgers/New York Yankees World Series, and is based upon the poem, "1955" by James T. Crawford.

Hailed by one music reviewer as "the grooviest, wildest, slickest hit ever to pound the screen," "The T.A.M.I. Show" is an unrelenting rock spectacular starring some of the greatest pop performers of the 60s. These top recording idols – representing the musical moods of London, Liverpool, Hollywood and Detroit – packed the Santa Monica Civic Auditorium with 2,600 screaming fans and virtually brought down the house. This is the cinematic record of that electrifying event.