Reporter Yu Mong-yuen is recovering from a leg injury in his fiancee Man-wah's apartment. Bored, he looks out the rear window and observes the life of the neighbouring building. Among the tenants are a sugar-daddy and his mistress, a middle-aged man wants to marry a young girl, but she is in love with his son. Finally, she hatches a plot and makes the man agree to her marrying his son ; a sly fortune-teller ; a lively gym, a rich widow quarrels with the trainer of a gymnasium because his dog has bitten her cat ; and an opera school, a woman signs, leaning on the balcony, and a man tries to strangle her. In fact they are rehearsing an opera…… One evening, Wah is on the night shift, and Yuen watches the opera troupe rehearse to the end. Under the influence of drugs, Yu mistakenly believes that a divorced man has murdered a taxi dancer. He alerts the police, but the whole thing is nothing more than a misunderstanding.

Family Doctrine is a drama film directed by Chu Kei and stars Wu Fung, Man Lan, Pearl Au Ka-Wai, Ma Siu-Ying, and Kitty Ting Hao.

Family Doctrine is a drama film directed by Chu Kei and stars Wu Fung, Man Lan, Pearl Au Ka-Wai, Ma Siu-Ying, and Kitty Ting Hao.

Family Doctrine is a drama film directed by Chu Kei and stars Wu Fung, Man Lan, Pearl Au Ka-Wai, Ma Siu-Ying, and Kitty Ting Hao.

Family Doctrine is a drama film directed by Chu Kei and stars Wu Fung, Man Lan, Pearl Au Ka-Wai, Ma Siu-Ying, and Kitty Ting Hao.

HK horror film.

HK mystery film.

"Red and White Azaleas" (alias "重訂今生未了緣"), a Hong Kong film produced by the Red and White Film Company, was released in 1951.

The film follows three sisters’ ups and downs that begin with this youngest one’s jealousy. In the film, Pearl Au Kar-wai stars as a very charming actress, who is loved by every person around her. The little sister envies her sibling’s achievements but what she does impulsively has caused permanent harm to the family. Besides Siao and Au, Woo Fung, still an active TV actor today, took up the role of Au’s once boyfriend, and Fanny Fan Lai and Roy Chiao, well-known for their roles in Mandarin films, took a bold step to partake in this Cantonese film. Director Chu Kea, best known for his period dramas, turned to a contemporary-set film this time, and successfully delivered the film’s sense of modernity, probably with help from his co-directors Ho Hoi-ki and Chu Yat-hung, who was his sister. The opening scene of an orchestra performance even reminds the audience of Hollywood movies.

A man kills his wife then frames his sister-in-law for the murder.