Con artist Gwen moves into Newton's empty home without his knowledge and begins setting up house, posing as his new wife.

The "bad boys of magic" go over the edge in this mind-blowing, role-switching comedy murder mystery set in the dizzying world of Atlantic City casinos. In a TV interview, Penn mentions his idea of a fun practical joke: "I wish someone were trying to kill me. It would give focus to my life, excitement. I'd be like James Bond." Twenty million people hear him. One decides to deliver a punchline he'll never forget. Made by people who thought Psycho was a comedy, Penn & Teller Get Killed (they also wrote the piece) features Caitlin Clarke as the femme fatale and David Patrick Kelly as the Edgar Allan Poe-esque nutcase with a new mission. Arthur Penn, known for hip masterpieces like Bonnie and Clyde, Alice's Restaurant and Little Big Man, directs with roller-coaster pacing and subversive intelligence.

Dennis Jennings is an introverted daydreamer, sleepwalking through life. He is a professional waiter and has an equally-dull girlfriend, Emma. In an attempt to release his pent-up feelings of isolation, he begins seeing a psychiatrist, only to discover that the doctor is somewhat less than interested in what he has to say. The film won an Oscar for Best Live Action Short Film.

Sixteen-year-old Michael Dunn arrives at St. Basil's Catholic Boys School in Brooklyn circa 1965. There, he befriends all of the misfits in his class as they collide with the repressive faculty and discover the opposite sex as they come of age.

After her mother's death, mediocre chef Amanda Shelton is having trouble attracting customers to her family's restaurant. While shopping for ingredients, she is given a magical crab by mysterious Gene O'Reilly. Afterward, Amanda's dishes suddenly become excellent, inducing strong emotional reactions in everyone who eats them. Tom Bartlett, who is preparing to open his own eatery, tries her cooking and falls in love.

The adventures of married couple Henry and Nancy Clark, vexed by misfortune while in New York City for Henry's job interview.

Michael Chapman, a former child TV star, runs a struggling talent agency specilizing in child acts. When a young girl off the street puts on a real performance after he catches her picking his pocket, he may have just found the next big thing.

When experienced advertising executive Graham Marshall loses out on a promotion to a young man, he goes down in a path of vengeance.

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

Brantley Foster, a well-educated kid from Kansas, has always dreamed of making it big in New York, but once in New York, he learns that jobs - and girls - are hard to get. When Brantley visits his uncle, Howard Prescott, who runs a multi-million-dollar company, he is given a job in the company's mail room.