Bluebeard, an opéra bouffe by Jacques Offenbach, premiered in Paris in 1866. Directed by Laurent Pelly, the National Opera in Lyon stages this musical comedy about a man suspected of murdering his wives. Hortense Schneider originally played Boulotka, a village girl who reforms Bluebeard. Yann Beuron and Héloise Mas star, with Christophe Gay as the alchemist Popolani.

2029. Paris. Reading is forbidden by law. The internet has been censured. On the main floor, a man is arrested. In the basement, life continues: learning books. Freedom persists.

Deposed by the genius Robin-Luron and replaced by the despotic and populist King Carrot, the leader of the vegetables, Fridolin XXIV of Krokodyne, faces all kinds of zany and wonderful adventures: from the spells of the witch Coloquinte to his encounter with the enchanter Quiribi and Rosée-du-Soir. They help him regain his throne and overthrow the tyrannical Carrot. A burlesque nightmare.

The most brilliant of Austrian operettas takes us to the outskirts of romantic Old Vienna. It’s New Year Eve and we are in the company of Caroline, who is determined to teach her philandering husband Gaillardin a lesson, even while she is being pursued by her former beau, the operatic tenor Alfred. At the centre of the action is the extremely wealthy, eternally bored Prince Orlofsky, whose lavish masked ball brings everything to a most delicious boil. But what if the whole plot has been a cunning plan masterminded by someone just to get back at Eisenstein?

Time stands still whenever Giuditta starts to sing. Regarded as a bird of paradise, many a man has tried to enclose her in a golden cage and trap her in chains of diamonds disguised as necklaces. To no avail: the beautiful Giuditta is as protective of her freedom as her secrets. No one truly knows from whence she came, not the bird-catcher who one day found her on the shore and married her no questions asked, or the handsome Captain Octavio with whom she ran away to North Africa…