Documentation vs. imagination. Under the title LDAE (German acronym for “let the others decide”) Christoph Schwarz develops a participative format for an art program. The filming of his new film should be broadcast online and a web community should direct and decide on the plot, locations, and final edited version. Schwarz hopes to reach artistic heights – but comes to a crash landing.

A young man, sitting on a rusty hangar, playing his guitar. An abandoned wooden church, no longer needed, re-locating to the outskirts of an urban expansion area for cultural interim usage. Nursery school children in a chair circle telling each other what they are NOT doing. In his essay film THE BEST CITY IS NO CITY AT ALL, Christoph Schwarz mixes multiple perspectives on Vienna's largest urban expansion area. They share a sentimental criticism of growth and a romantic refusal to progress while facing imminent ecological collapse, which seems more credible to us than any happy ending.

A young man, sitting on a rusty hangar, playing his guitar. An abandoned wooden church, no longer needed, re-locating to the outskirts of an urban expansion area for cultural interim usage. Nursery school children in a chair circle telling each other what they are NOT doing. In his essay film THE BEST CITY IS NO CITY AT ALL, Christoph Schwarz mixes multiple perspectives on Vienna's largest urban expansion area. They share a sentimental criticism of growth and a romantic refusal to progress while facing imminent ecological collapse, which seems more credible to us than any happy ending.

A young man, sitting on a rusty hangar, playing his guitar. An abandoned wooden church, no longer needed, re-locating to the outskirts of an urban expansion area for cultural interim usage. Nursery school children in a chair circle telling each other what they are NOT doing. In his essay film THE BEST CITY IS NO CITY AT ALL, Christoph Schwarz mixes multiple perspectives on Vienna's largest urban expansion area. They share a sentimental criticism of growth and a romantic refusal to progress while facing imminent ecological collapse, which seems more credible to us than any happy ending.

A young man, sitting on a rusty hangar, playing his guitar. An abandoned wooden church, no longer needed, re-locating to the outskirts of an urban expansion area for cultural interim usage. Nursery school children in a chair circle telling each other what they are NOT doing. In his essay film THE BEST CITY IS NO CITY AT ALL, Christoph Schwarz mixes multiple perspectives on Vienna's largest urban expansion area. They share a sentimental criticism of growth and a romantic refusal to progress while facing imminent ecological collapse, which seems more credible to us than any happy ending.

A young man, sitting on a rusty hangar, playing his guitar. An abandoned wooden church, no longer needed, re-locating to the outskirts of an urban expansion area for cultural interim usage. Nursery school children in a chair circle telling each other what they are NOT doing. In his essay film THE BEST CITY IS NO CITY AT ALL, Christoph Schwarz mixes multiple perspectives on Vienna's largest urban expansion area. They share a sentimental criticism of growth and a romantic refusal to progress while facing imminent ecological collapse, which seems more credible to us than any happy ending.