The documentary retraces the steps of Bruno Manser, a man from Switzerland who went to live with the indigenous tribe of the Penan in the Jungle of Borneo and endef up helping their struggle to defend their rainforest against greedy logging companies. The movie features original film, photo and voice recordings by Bruno Manser made in the 1980s, as well as new recordings showing how the life of the Penan has changed in just a few decades.

A television reporter and the subject of a scientific experiment to investigate the sense of time underground fight for survival inside a natural cave system after a landslide blocks the exit.

Valeria hates commissioned photos such as passport or wedding photos because, in her opinion, they are dishonest. She looks for honest faces. Valeria scares the customers with them, so she has to earn her money as a waitress. She begins to have doubts about her own pictures because they are not accepted. In the café, she is offered a job with a fashion photographer. Through their acquaintance with Valeria, Paul and Poupoune realize that their projections have little to do with reality.

Valeria hates commissioned photos such as passport or wedding photos because, in her opinion, they are dishonest. She looks for honest faces. Valeria scares the customers with them, so she has to earn her money as a waitress. She begins to have doubts about her own pictures because they are not accepted. In the café, she is offered a job with a fashion photographer. Through their acquaintance with Valeria, Paul and Poupoune realize that their projections have little to do with reality.

Valeria hates commissioned photos such as passport or wedding photos because, in her opinion, they are dishonest. She looks for honest faces. Valeria scares the customers with them, so she has to earn her money as a waitress. She begins to have doubts about her own pictures because they are not accepted. In the café, she is offered a job with a fashion photographer. Through their acquaintance with Valeria, Paul and Poupoune realize that their projections have little to do with reality.

Valeria hates commissioned photos such as passport or wedding photos because, in her opinion, they are dishonest. She looks for honest faces. Valeria scares the customers with them, so she has to earn her money as a waitress. She begins to have doubts about her own pictures because they are not accepted. In the café, she is offered a job with a fashion photographer. Through their acquaintance with Valeria, Paul and Poupoune realize that their projections have little to do with reality.

Valeria hates commissioned photos such as passport or wedding photos because, in her opinion, they are dishonest. She looks for honest faces. Valeria scares the customers with them, so she has to earn her money as a waitress. She begins to have doubts about her own pictures because they are not accepted. In the café, she is offered a job with a fashion photographer. Through their acquaintance with Valeria, Paul and Poupoune realize that their projections have little to do with reality.

Directed by Christoph Kühn.