A mysterious killer eliminate the singers of a brand new music Festival in Naples. Some journalists will try to discover who is that murderer who seems to be obsessed by the song "Funiculi, Funicula".

The life and works of Ecuadorian writer Marcelo Chiriboga, a key figure of the Latin American literature and member of the “boom” generation. Through interviews, visits to different cities, archival footage and his most important book, a puzzle is woven that blurs the boundaries between reality and fiction.

Two lonely characters wanting to find a partner, a romantic blind date, a decadent Russian restaurant... The New Year’s Eve could't be more promising until the dinner for two becomes a crazy dinner for four: them and their ghosts. And the main course is still to come.

In a countryside house in the Ecuadorean Andes Mountains lives Christine, a paralytic old woman who has decided to be isolated from the world. In that place, she found refuge in old memories of her first love, Manuel. Years after getting married and widowed from another man, Christine and her daughter, Julia, decide to put together a plan in order to reunite two young people at their countryside house. Christine's drive is for them to fall in love, so she can relive love through their eyes.

Six Latinos traveling to the United States for different reasons soon find themselves immersed in the most ridiculous and embarrassing situations. From an inexperienced boy traveling as an exchange student to a naive actress trying to make it in Hollywood, each of them will experience unexpected adventures that will make them question whether leaving their country was the best decision.

Bernardo lives under the shadow of his mother. Kurt proposes to him to rob Bernardo's bank to buy the Third Reich's currency. On the same day that Bernardo does it, Hitler's regime falls and its currency becomes worthless.

Between Marx and a Naked Woman is the adaptation of a novel written by Ecuadorian Poet, Jorge Enrique Adoum. The scenes of this film insert us into Ecuador in the sixties, when the electoral struggle, convoked by the military government for a new return to democracy, is in full force. Galvez’s left-wing party must elect its candidate, but he is shoved to one side because of the criticism of the party’s political leadership. While his struggle becomes bitter, he must withstand the frustration of not being able to offer full love to Margaramaría, another party member.