
Acting
Christine Maria Kaufmann (born January 11, 1945) is a German actress. In 1961 she won the Golden Globe Award for New Star Of The Year - Actress, the only German to be so honoured. Born to a German father and a French mother in Lengdorf, Styria, Kaufmann became a ballerina at the Munich Opera. She started her film career at the age of seven in the 1952 adaptation of Im weißen Rößl (White Horse Inn). The film which brought her fame was Rosen-Resli, released in 1954, when she was only nine. She gained international recognition when she starred with Steve Reeves in The Last Days of Pompeii (1959) and with Kirk Douglas in Town Without Pity (1961). The following year she appeared in Escape from East Berlin. In 1963 Kaufmann married Tony Curtis, whom she had met during the filming of Taras Bulba (1962). They had two daughters, Alexandra (born July 19, 1964) and Allegra (born July 11, 1966). They divorced in 1968. Kaufmann resumed her career, which she had interrupted during her marriage. Kaufmann is also a successful businesswoman, promoting her own cosmetics products line that sells well in Germany. She has written several books about beauty and health, as well as two autobiographies. She speaks three languages: German, English, and French. Description above from the Wikipedia article Christine Kaufmann, licensed under CC-BY-SA, full list of contributors on Wikipedia.

The story of a German singer named Willie, who while working in Switzerland, falls in love with a Jewish composer named Robert, whose family is helping people to flee from the Nazis. Robert’s family is skeptical of Willie, thinking she could be a Nazi as she becomes famous for singing the song “Lili Marleen”.

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.

A German woman named Jasmin stumbles upon a dilapidated motel/diner in the middle of nowhere. Her unusual appearance and demeanor are at first suspicious to Brenda, the exasperated owner who has difficulty making ends meet. But when an unlikely magic sparks between the two women, this lonely desert outpost is transformed into a thriving and popular oasis.

A new student, Manuela, enters a strict girls' boarding school after her mother’s death, where she finds comfort in a kind teacher, stirring complex emotions within her.

A woman experiences psychic disintegration and ends up in a psychiatric hospital.



Father Scherzer generally buries himself in the books of the castle library, which he is responsible for managing. He is a warm-hearted but somewhat overwhelmed father to his five daughters, ranging from a preschooler to two teenage girls to a successful press photographer who flirts with a dashing dentist. While he is trying to sell the castle to an overbearing American millionaire, the housekeeper quits, and the youth welfare office insists on discipline and order in the five-girl household.

A 16th-century Spanish overlord hires Thomas Stanswood (Stuart Granger) to protect his, less than eager, fiancee (Sylva Koscina) from rebels. Thomas finds himself drawn to both the fiancee and the rebels side.

Alberto Moretti arrives in Cortina D'Ampezzo, with daughter Marcella,who has just won a TV contest, the prize of which is a free stay in a luxury hotel.



