
Acting
Christine Boisson (April 8, 1956 - October 21, 2024) was a French actress. After she registered in a model agency, Just Jaeckin liked her photo, and she got a part in the film Emmanuelle starring Sylvia Kristel, in which she played a lollipop-sucking teenager who masturbates over a picture of Paul Newman. Then she got some more film roles, but she also continued to study acting. In 1977 she made her stage debut in Chekhov's The Seagull directed by Bruno Bayen. In 1984, she received the Prix Romy Schneider (most promising actress awards) for Rue Barbare. In 2005, she was starring in the stage play Viol by Botho Strauß (based on Titus Andronicus), directed by Luc Bondy. On 14 October 2010, she tried to commit suicide. Description above from the Wikipedia article Christine Boisson, licensed under CC-BY-SA, full list of contributors on Wikipedia.

An employee at the French Embassy in Bangkok invites his wife to join him – and enjoy the benefits of their open marriage.

A shy bank employee unexpectedly invites a young woman to a café, leading to a one-night stand. When he shares this with his disillusioned friend, the writer helps him navigate a dazzling social ascent.

Regina meets charming Joshua while vacationing in Martinique, as she contemplates ending her whirlwind marriage to enigmatic Charlie. Upon her return to Paris, she finds that both her apartment and her bank account have been emptied, and her husband has been murdered. Stuck in ever-increasing danger and with four men pursuing her, another stranger offers assistance - but who can she trust?

Loosely based on the notorious Richard Speck murders, this is the grim tale of a disturbed Vietnam vet returning home via Belfast, who invades a house shared by eight nurses and proceeds to terrorize and murder them.

A plane explodes above the Gulf of Guinea. An escort girl is murdered in a Parisian park. Thousands of miles separate these two events, and yet Nora Chahyd, believes there's a connection between them, much to his superiors chagrin. As Nora investigates, getting dangerously close to the powers that be, the murders and betrayals accumulate, and signs point to a state affair at the heart of it all.

A director wants to make a documentary about actresses, all actresses: the popular ones, the unknown ones, the intellectuals, the comedians, the forgotten ones... Filming everything, with or without their consent, the director gets caught up in the game and lets herself be devoured by these women, who are as fragile as they are manipulative.

Antoine, a handsome boy in his 20s, falls for a straight best friend who does not reciprocate, and being a junkie exits the film quite early. Enter a girl, who seems to make him happy again, after he has tried living as a rent boy with men, having some familial, financial difficulties. But the girl is a junkie too.

Rich, bisexual Thomas makes his way through a swath of lovers of both sexes in Paris. His parents have died, and he doesn't have to work to earn a living, so his days are bacchanalia-filled affairs that run into each other in a hazy bliss. The only one capable of eking out genuine affection from him is his neighbor, Caroline. When she dies and leaves her son in his care, Thomas learns the joys of commitment and selflessness.

Dominican friar Etienne de Bourbon visits a 13th-century French village in search of heretics for the Inquisition. Despite the opposition of the local priest and the indifference of the villagers, he finds a seemingly perfect suspect: a young woman who lives in a forest outside the village and cures people with herbs and folk remedies. In the process, he discovers the cult of the greyhound "Saint" Guinefort, and confronts his own troubled past.

Jeanne runs a busy inn with her husband Georges, her two children and two sisters. There is perfect harmony and the constant sound of laughter coming from the kitchen and office. One day, Pierre, the landlord, takes up a room without a word of explanation. Jeanne gradually begins to feel a strong attraction toward the new guest.

